Tom Dixon on why he and his studio are hitting the road to carve out a hardworking new hub in London’s King’s Cross
Sitting across the table at his showroom in London’s Portobello Dock, Tom Dixon looks nervous. It’s not the prospect of the interview; Dixon is a seasoned interviewee, with over three decades’ worth of design prominence. Any perceived nerves come from the anticipation of what’s to come. His studio is about to embark on a very special – and logistically complicated – project: the full relocation of its office, showroom and restaurant to a new home in King’s Cross. An especially designed space featuring added functions, key collaborations and the chance to connect even more and better with the wider public make for exciting plans; although, by the designer’s own admission, it’s all a little daunting to organise alongside the day job.
The location is The Coal Office, a long, industrial brick building on the southern edge of Granary Square, running alongside the canal, just off Heatherwick Studio’s upcoming Coal Drops Yard. The existing structure seems larger than it actually is, its lightly curved footprint being fairly narrow, yet it nevertheless boasts some 1,640 sq m, as well as a mix of internal environments. There are both high and low ceilings, access to the outdoors, and some almost underground spaces, these last in the brick arches that once connected the building – constructed in 1851 and home to the area’s coal and fish goods offices – to the city’s waterway transportation system. Here, come April, Dixon will launch his new headquarters, an extensive design hub that will not only house his research and development studio, but also production facilities, and friends of the brand.
Denne historien er fra April 2018-utgaven av Wallpaper.
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Denne historien er fra April 2018-utgaven av Wallpaper.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Guiding Light - Designer Joe Armitage follows his grandfather's footsteps in India, reissuing his elegant midcentury lamp and creating a new chandelier for Nilufar Gallery
For some of us, family inheritances I tend to be burdensome, taking up space, emotionally and physically, in both our minds and attics. For the London-based designer and architect Joe Armitage, however, a family heirloom has taken him somewhere lighter and brighter, across generations and continents, and into the path of Le Corbusier. This is the story of a lamp designed by Edward Armitage in India 72 years ago, which has today been expanded into a collection of lights by his grandson Joe.
POLE POSITION
A compact Melbourne house with a small footprint is big on efficiency and experimentation
URBAN OASIS
At an art-filled Mexico City residence, New York designer Giancarlo Valle has put his own spin on the country's traditional craft heritage
WARM FRONT
Designer Clive Lonstein elevates his carefully curated Manhattan home with rich textures and fabrics
BALCONY SCENE
A Brazilian island hotel offers a unique approach to the alfresco experience
ENSEMBLE CAST
How architect Anne Holtrop is leaving his mark on the Middle East
Survival mode
A new show looks at preparing for a post-apocalyptic landscape (and other catastrophes)
FLASK FORCE
A limited-edition perfume collaboration between two Spanish craft masters says it with flowers
BLOOM SERVICE
A flower-shaped brutalist beauty in Geneva gets a refresh
SECOND NATURE
A remodelled museum in Lisbon, by Kengo Kuma & Associates, meshes Japanese and Portuguese influences to create a space that sits in harmony with its surroundings