In 1998, when Petrit Halilaj was 11, Serbian troops swept through his native Kosovo and forced him and his family to flee into nearby Albania. Destruction, displacement and loss came to define his youth, and eventually shaped his career as an artist. Now one of the foremost cultural figures to have emerged from his young homeland, he has explored these themes with poignant urgency. At the 2010 Berlin Biennale, he reconstructed the scaffolding of his family home, burned down in the village of Kostërc during the war, and later rebuilt in the capital city of Pristina; and let loose a flock of live chickens as symbols of rural life and recovered freedom. He subsequently meditated on migration and integration through large-scale recreations of the jewellery that his mother had buried in the soil as they prepared to escape, and by filling an Art Basel booth in 2011 with the same soil.
Contemplating wider themes of nationhood, he created a giant bird’s nest out of Kosovan soil and twigs for the country’s first pavilion at the Venice Biennale two years later and then resurrected specimens from the vanished Natural History Museum of Pristina for a solo show at the Wiels Contemporary Art Centre in Brussels. Adding to this more recent projects such as Ru, 2017, inspired by Neolithic artefacts from the town of Runik that wound up in Serbian hands; and Shkrepëtima, 2018, a performance presenting the collective memories of Runik’s citizens; and Halilaj’s ability to give widely resonant form to his personal histories becomes abundantly clear.
Denne historien er fra November 2021-utgaven av Wallpaper.
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Denne historien er fra November 2021-utgaven av Wallpaper.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Guiding Light - Designer Joe Armitage follows his grandfather's footsteps in India, reissuing his elegant midcentury lamp and creating a new chandelier for Nilufar Gallery
For some of us, family inheritances I tend to be burdensome, taking up space, emotionally and physically, in both our minds and attics. For the London-based designer and architect Joe Armitage, however, a family heirloom has taken him somewhere lighter and brighter, across generations and continents, and into the path of Le Corbusier. This is the story of a lamp designed by Edward Armitage in India 72 years ago, which has today been expanded into a collection of lights by his grandson Joe.
POLE POSITION
A compact Melbourne house with a small footprint is big on efficiency and experimentation
URBAN OASIS
At an art-filled Mexico City residence, New York designer Giancarlo Valle has put his own spin on the country's traditional craft heritage
WARM FRONT
Designer Clive Lonstein elevates his carefully curated Manhattan home with rich textures and fabrics
BALCONY SCENE
A Brazilian island hotel offers a unique approach to the alfresco experience
ENSEMBLE CAST
How architect Anne Holtrop is leaving his mark on the Middle East
Survival mode
A new show looks at preparing for a post-apocalyptic landscape (and other catastrophes)
FLASK FORCE
A limited-edition perfume collaboration between two Spanish craft masters says it with flowers
BLOOM SERVICE
A flower-shaped brutalist beauty in Geneva gets a refresh
SECOND NATURE
A remodelled museum in Lisbon, by Kengo Kuma & Associates, meshes Japanese and Portuguese influences to create a space that sits in harmony with its surroundings