In an idyllic Saint-Tropez setting, Giorgio Armani updates a classic Provençal house as a captivatingly carefree seaside retreat
When you own several homes around the world, plus a stunning 213-foot-long yacht, as Giorgio Armani does, finding time through the year to spend at each of those residences can be challenging—especially for an in-demand, workaholic fashion magnate. Yet, no matter how stretched he gets, Armani manages to make time to escape to his pistachio-shuttered stucco house in the leafy hills above Saint-Tropez, just a short stroll from the Mediterranean’s turquoise waters.
“I go four or five weekends in late June and July,” says the designer, who carves out his time in Saint-Tropez with his usual exactitude. Mornings begin with a walk or a workout, followed by a visit to the beach for a swim with the locals. He typically has lunch at home, or, when he’s feeling more social, he’ll head to the scenic, champagne-soaked Cinquante Cinq beach club and then spend the late afternoon winding around the charming Place des Lices open-air market. “I love to go into the town, take my walks around, see all of the flowers, food, and bars. I find it very fun, even though it’s touristy.”
A PLACE TO LIVE
Modest in comparison to some of Armani’s other homes—such as his cliff-hanging retreat in Antigua or his sprawling Swiss chalet near St Moritz, featured in AD’s May-June 2012 issue—his two-storey house here is sheltered by a forest of palms, eucalyptus trees, and cypress hedges and doesn’t look directly onto the water. “I didn’t want the sea in my face,” remarks the designer, who relishes the property’s unobtrusive, laid-back quality. “When people come to visit me, they are always very surprised,” he says. “It isn’t a house to show off in; it’s to live in.”
Denne historien er fra September 2016-utgaven av AD Architectural Digest India.
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Denne historien er fra September 2016-utgaven av AD Architectural Digest India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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BANYAN TREE VEYA, IN MEXICO'S VALLE DE GUADALUPE, IS A NEW WELLNESS RESORT THAT LOOKS TO THE LAND.
A two-hour drive south from San Diego, the Mexican wine region of Valle de Guadalupe-dotted with fertile vineyards and family farms-has remained mostly under the radar, even to food-obsessed Americans.
DESIGNED IN 1988 BY RENOWNED LANDSCAPIST MADE WIJAYA, THE GROUNDS AT AMANDARI IN UBUD, BALI, FOREGO MANICURED LAWNS FOR AN ABUNDANT NATIVE PARADISE.
Coconut palms and banyan trees in sizzling jungle greens, cascades of bougainvillea and the scent of frangipani in the air—a tropical explosion of foliage that would have led Monet to abandon Giverny.
BANGALORE CLUB'S MAIN LAWNS, WITH A MAGNIFICENT RAIN TREE, GET A NEW UMBRELLA BAR AND COLONNADE BY AD100 ARCHITECTS SANDEEP KHOSLA AND AMARESH ANAND.
Time appears to come to a standstill when one enters the Bangalore Club.
FROM HER STUDIO IN LLOYD WRIGHT'S 1927 HOME, DESIGNER VICKI VON HOLZHAUSEN IS REFINING THE SCIENCE OF HIGHPERFORMANCE, PLANT-BASED MATERIALS.
It seems not only fitting but poetic that Los Angeles-based designer and eco-preneur Vicki von Holzhausen chose architect Lloyd Wright's own 1927 studio and residence as the symbolic headquarters of her namesake company, von Holzhausen, a pioneer in the development of high-performance plantbased materials.
IN THE LADAKHI HAMLET OF TURTUK, A KITCHEN GARDEN SUPPLIES FRESH PRODUCE TO THE BALTI KITCHEN OF BOUTIQUE HOTEL VIRSA.
To get to the most exquisite yet humble meal of your life, you'll have to take a six-hour drive from Leh and reach Turtuk, one of the only four Balti villages that fall on the Indian side of the border.
MAKAIBARI'S NEW EXPERIENTIAL STORE IN KOLKATA IS DESIGNED TO EVOKE A TEA PLANTER'S BUNGALOW.
Smell the tea, feel the carpets, enjoy the space”—such is the invitation from Rudra Chatterjee, chairman of Obeetee and managing director of Luxmi Tea Group, at the launch of fine tea brand Makaibari’s experiential store in October, at the Taj Bengal in Kolkata.
ARTS OF HINDOSTAN PIECES TOGETHER A SHORT HISTORY OF THE MUGHAL FLOWER-FROM ITS ORIGIN IN ATELIERS IN MEDIEVAL INDIA TO ITS UBIQUITY ACROSS TIME.
The Mughal emperor Jahangir was famously enraptured by the beauty of flowering plants that he saw on his visit to Kashmir in the spring of 1620.
A FURNITURE-ARTWORK PAIRING COMES TOGETHER AS PAOLA LENTI'S CAMPANA BROTHERSDESIGNED BENCH IS REIMAGINED TO MATCH ARTIST HUGO YOSHIKAWA'S PLAYFUL STYLE.
Vegetation has been the central subject matter of many Hugo Yoshikawa artworks for the past few years.
FROM SCULPTURES TO JEWELLERY, ARTIST LYNDA BENGLIS'S DESIGNS FOR LOEWE FEATURED IN THE BANCA MARCH GARDEN IN MADRID EARLIER THIS YEAR.
This spring, when the gates of the private Banca March Garden in Madrid's Salamanca neighbourhood opened to the public, visitors could experience four monumental fountains, emerging from the ground and soaring towards the sky.
FERNS AND FLOWERS BLOOM ON TOD'S BAGS AND SHOES, A SPECIAL LINE DESIGNED BY RAHUL MISHRA― NATURE BEING HIS CONSTANT MUSE.
India was once called “sone ki chidiya” (golden bird) for its abundance of resources, wealth and prosperity.