In this excerpted interview from Grand Tour: The Worldly Projects of Studio Peregalli, a book that showcases the work of Laura Sartori Rimini and Roberto Peregalli, American artist couple Rachel Feinstein and John Currin and English fashion guru Hamish Bowles dissect their common experience of having a home designed by the influential Milan studio
HAMISH BOWLES: What drew you to the original house?
RACHEL FEINSTEIN: It was a folly; the whole thing is an interpretation of an old style, which is what our art is completely about. Each house that the architect Frederick Sterner did on this street is a different folly. They were all multiple family row houses—this was not a fancy neighbourhood in 1901, when he started. Sterner came from England, he was young and he wanted to make a name for himself so he personally bought up all these houses and gave each one a different look. He brought uptown people to this area because of the street and that’s why it’s called the “Block Beautiful”. A historian who was studying Sterner came to visit and told us that it was the most intact and original of all the architect’s projects and begged us not to touch it—and we had every intention of preserving it. Then unfortunately Hurricane Irene came along and we had a torrential leak that destroyed the plaster ceilings all the way through the house. So that’s when our friend Tobias Meyer suggested Studio Peregalli.
HB: What convinced you that Laura [Sartori Rimini] and Roberto [Peregalli] were the right architects for the project?
RF: They were already here in New York—doing your apartment. We went over to see your place and we loved it. I mean, obviously everything was exactly what we liked. The thing that struck us so much was the secret door that they had built, where you had to have the wheelchair access to meet the code.
HB: The original door in the 18th-century French panelling that they had adapted and installed was not wide enough to allow for wheelchair access, so they created a wide jib door that appears to cut into the wallpaper and panelling—a clever trick of the eye.
Denne historien er fra December 2018-utgaven av AD Architectural Digest India.
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Denne historien er fra December 2018-utgaven av AD Architectural Digest India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
IT TAKES A VILLAGE
IN A TRADITIONAL, OPEN-TO-SKY COURTYARD HOME IN ANEGUNDI, NEAR HAMPI, HERITAGE CONSERVATIONIST, PAINTER AND FOUNDER OF THE KISHKINDA TRUST, SHAMA PAWAR LIVES AND REVITALIZES CRAFT TRADITIONS BORN FROM THE LAND'S RICH PAST.
MATKAS OF THE MOST BEAUTIFUL FORM, RESIST-DYED SACRED CLOTHS HUNG AS TAPESTRIES, MUD PLASTER OR "LIPAI" WALLS, AND A JOURNEY IN COLOURS AND PODDAR AND EESHAAN PIGMENTS ANUPAM KASHYAP 'S DELHI HOME IS A PURSUIT OF A LAYERED, TACTILE BEAUTY.
Anupam Poddar and Eeshaan Kashyap's generous first-floor apartment in the shadow of Humayun's Tomb harks to a leisurely way of living.
CLASSIC BEIRUT HERITAGE AND GLAMOUR
A COLLECTOR AND ANTIQUE S DEALER, THE LATE HOME, BEIT CHABEB I N BEIRUT, IS A COMING JOE TOHMES GREATEST PASSION PROJECT, HIS TOGETHER OF THE RUSTIC AND THE REFINED.
LAL KOTHI
TEXTILE LOVERS PETER AND CECILE D'ASCOLI TRANSFORM THEIR DELHI FARMHOUSE INTO A KALEIDOSCOPIC FEAT OF COLOUR AND PATTERN.
ATELIERS DE FRANCE
More than 15 million spectators are expected to descend on Paris for the Olympic and Paralympic Games this summer, and they won't be there to see only the sporting events.
ON THE EARTH
On a bright, breezy afternoon at La Pelota in the heart of Milan-where Hermès holds its annual presentation every springBenoit Pierre Emery, the creative director of tableware, laid out a tray with pieces from the dinner service Tressages Équestres.
JAIN HANDICRAFTS OPENS A STORE IN AHMEDABAD, DESIGNED BY SAMIR WADEKAR, WITH A CURATED COLLECTION DRAWN FROM THEIR SEA OF ANTIQUES.
When Jain Handicrafts, a multigenerational family business dealing in period furniture and objets d'art, showcased their collection at the annual AD Design Show last year, they were amazed by the positive response they received from visitors.
MASTER WEAVER SHAMJI VANKAR TAKES A SLICE OF HIS CULTURE TO XTANT, A HERITAGE TEXTILE FESTIVAL HELD IN MALLORCA THIS SUMMER.
Art is made by a single individual for the enjoyment of another.
RITU KUMAR HOME'S LATEST TABLEWARE COLLECTION DRAWS FROM IKAT AND CHINTZ.
Ritu Kumar's home collections have always reflected her love for handlooms and Indian art forms. Be it intricate Mughal art or elaborate Kashmiri booti, the table linen, serveware and even glassware borrow from traditional motifs.
SIX DECADES SINCE ITS ORIGIN, BAREFOOT IN COLOMBO REMAINS DEDICATED TO LATE FOUNDER BARBARA SANSONI'S LOVE OF HANDLOOM.
Amid a kaleidoscope of colours in the upholstery section of Barefoot's store in Colombo, the rolls of material stand out for their vibrant variations of green.