A lot has changed since our first issue dedicated to craftsmanship. Karigars got organized, designers began investing in experimental R&D, and a whole wave of cool new brands based on mastering materials have emerged. You could call it the golden age of craftsmanship. And it’s not just India; this is a global revolution. From the finest papier mâché objects made in Srinagar, to the world’s greatest master of bonsai, we have scoured the globe for the best workshops, the rarest materials and the maverick artisans shaping the new conversation around craftsmanship. These are the riches of our time.
Contemporary in form, yet inherently Indian at its core—Ikkis, the new design brand by Gunjan Gupta, effortlessly melds the traditional and the modern.
A garden-variety ‘cutting chai’ glass is elevated into an elegant champagne flute while an inconspicuous lota (vessel) finds pride of place in its new avatar as a decorative jar. Unapologetically unconventional in design, yet deeply rooted in the Indian milieu, these objects are part of the 21-piece collection by Ikkis, the new brand from designer Gunjan Gupta, launched at Maison & Objet earlier this year. Ikkis—which literally translates to ‘twenty-one’ in Hindi—launches with 21 objects designed for the 21st century. Each object is firmly entrenched in an aspect of daily life in India and is an Indian at heart as it is contemporary in form. Seemingly ordinary objects like the balti (bucket), kulhar (earthen mugs) are reinterpreted and uplifted into works of art.
Denne historien er fra May - June 2019-utgaven av AD Architectural Digest India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Denne historien er fra May - June 2019-utgaven av AD Architectural Digest India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
IT TAKES A VILLAGE
IN A TRADITIONAL, OPEN-TO-SKY COURTYARD HOME IN ANEGUNDI, NEAR HAMPI, HERITAGE CONSERVATIONIST, PAINTER AND FOUNDER OF THE KISHKINDA TRUST, SHAMA PAWAR LIVES AND REVITALIZES CRAFT TRADITIONS BORN FROM THE LAND'S RICH PAST.
MATKAS OF THE MOST BEAUTIFUL FORM, RESIST-DYED SACRED CLOTHS HUNG AS TAPESTRIES, MUD PLASTER OR "LIPAI" WALLS, AND A JOURNEY IN COLOURS AND PODDAR AND EESHAAN PIGMENTS ANUPAM KASHYAP 'S DELHI HOME IS A PURSUIT OF A LAYERED, TACTILE BEAUTY.
Anupam Poddar and Eeshaan Kashyap's generous first-floor apartment in the shadow of Humayun's Tomb harks to a leisurely way of living.
CLASSIC BEIRUT HERITAGE AND GLAMOUR
A COLLECTOR AND ANTIQUE S DEALER, THE LATE HOME, BEIT CHABEB I N BEIRUT, IS A COMING JOE TOHMES GREATEST PASSION PROJECT, HIS TOGETHER OF THE RUSTIC AND THE REFINED.
LAL KOTHI
TEXTILE LOVERS PETER AND CECILE D'ASCOLI TRANSFORM THEIR DELHI FARMHOUSE INTO A KALEIDOSCOPIC FEAT OF COLOUR AND PATTERN.
ATELIERS DE FRANCE
More than 15 million spectators are expected to descend on Paris for the Olympic and Paralympic Games this summer, and they won't be there to see only the sporting events.
ON THE EARTH
On a bright, breezy afternoon at La Pelota in the heart of Milan-where Hermès holds its annual presentation every springBenoit Pierre Emery, the creative director of tableware, laid out a tray with pieces from the dinner service Tressages Équestres.
JAIN HANDICRAFTS OPENS A STORE IN AHMEDABAD, DESIGNED BY SAMIR WADEKAR, WITH A CURATED COLLECTION DRAWN FROM THEIR SEA OF ANTIQUES.
When Jain Handicrafts, a multigenerational family business dealing in period furniture and objets d'art, showcased their collection at the annual AD Design Show last year, they were amazed by the positive response they received from visitors.
MASTER WEAVER SHAMJI VANKAR TAKES A SLICE OF HIS CULTURE TO XTANT, A HERITAGE TEXTILE FESTIVAL HELD IN MALLORCA THIS SUMMER.
Art is made by a single individual for the enjoyment of another.
RITU KUMAR HOME'S LATEST TABLEWARE COLLECTION DRAWS FROM IKAT AND CHINTZ.
Ritu Kumar's home collections have always reflected her love for handlooms and Indian art forms. Be it intricate Mughal art or elaborate Kashmiri booti, the table linen, serveware and even glassware borrow from traditional motifs.
SIX DECADES SINCE ITS ORIGIN, BAREFOOT IN COLOMBO REMAINS DEDICATED TO LATE FOUNDER BARBARA SANSONI'S LOVE OF HANDLOOM.
Amid a kaleidoscope of colours in the upholstery section of Barefoot's store in Colombo, the rolls of material stand out for their vibrant variations of green.
