A sophisticated retreat by architecture + at Medlands Beach on Great Barrier Island rethinks conventional bach living.
Not so long ago, Stuart Gardyne spent a night at the house he designed on Great Barrier Island, only to discover that the neighbours use the place as a thoroughfare to reach other homes. He got talking with them, and it quickly became apparent some are less than fond of their urbane, intellectual neighbour, with its hooded eyes and inward focus. They found it austere and closed. “It doesn’t have the cottagey charm,” says Gardyne, of Wellington-based architecture +.
In fairness, the house isn’t closed, and it’s far from unwelcoming, though it does have an attractively monolithic look that might be perceived as imposing. Set on a garden block down a long driveway, the grassy approach is deliberately informal. There isn’t a front door: a stroll across the lawn takes you to a deck and in through a sliding glass door, from where you look straight through the house and out the other side.
There is a sort of calm resolve to the house, which was designed for a New Zealand couple while they were based in Beijing, and their four children. Rather than austerity or closure, there’s a sense of retreat and respite woven into the very skin of the house – early on, the owners expressed a desire for a courtyard house, not a beach house. It’s something of an intriguing brief for a coastal home – so often we expect them (and more so on Great Barrier Island) to be glorified tents, with openness and views from every room. “It was about having a house that’s more inward-focussed than outward,” says Gardyne. “That doesn’t imply disengagement with the landscape, but there’s an intimate engagement with the site.”
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Denne historien er fra April 2019-utgaven av HOME.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
The Past Is Present
In exhibitions at public galleries around the country, artists reflect on our collective, individual and cultural histories.
Why I Walk Carl Douglas
How the experience of walking reveals our world to us and informs our sense of our place in it.
My Favourite Building Chlöe Swarbrick
Built on Auckland’s Karangahape Road in the 1920s, St Kevin’s Arcade has served as vocational inspiration and a meeting place for the Green MP since she was a teenager.
Humble Special
PAC Studio designs a home on a tiny budget in the bush above the Kaipara Harbour.
Modern Love
Assembly Architects draws on lightweight Californian modernism to craftan elegant mountain retreat.
Family Tree
On a leafy site in the Waikato, Tane Cox crafts a subtle home for three generations
LOW PROFILE
Sometimes, strict covenants can be a blessing in disguise.
Fine Line
A house in a vineyard by Stuart Gardyne shows country living need not be rustic.
Elegant Shed
Ben Daly rehabilitates a farm building with a long family history on the Canterbury Plains.
Perfect Pitch
An encampment by an inlet casually inhabits land at Tawharanui.