A FEW miles outside Macclesfield is Henbury Hall. Based on Palladio’s Villa Capra, ‘La Rotonda’ (‘Variations on perfection’, May 19), it is a neo-Classical feat of modern architecture. It was the brainchild of the designer Felix Kelly, his client, businessman Sebastian de Ferranti, and the Classical architect Julian Bicknell. Completed in 1986, it represents the extreme of a conundrum faced by those planning to build a house: does one go for a traditional style or a more modern look?
Whatever the direction, it doesn’t have to be about extremes. Architect-turned-landscape designer Anna Spruit would be the first to admit that this dilemma wasn’t an issue when she began planning a house in West Sussex. ‘I wanted it to be modern because I am an architect—I wouldn’t have considered building anything else,’ she says. ‘I did a Pinterest board of what I wanted, and half of the images were from [Putney practice] McLean Quinlan, so we got them on board.’
The finished product has a zinc roof, flint façade and galvanised steel windows, a timber ceiling in the kitchen and glass walls that bring the outside in. ‘Traditional’ architecture simply isn’t her bag. ‘It seems a shame to be replicating something that’s not of your time,’ explains Mrs Spruit. The house, she adds, ‘is not cutting edge in any way, but it doesn’t look like a traditional house’.
Without the journey from Classical to modern, “it wouldn’t be the house it is”
Denne historien er fra July 28, 2021-utgaven av Country Life UK.
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Denne historien er fra July 28, 2021-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery
