WHEN Patrick Barkham’s first book, The Butterfly Isles, was published in 2010, critics hailed it as an exemplary example of the new school of Nature writing. Elegantly descriptive and personally questing, it contained truths about the outdoor world from which all readers, whether keen observers of wildlife or those with only a passing interest, could learn. Further books, such as Badgerlands and Coastlines, have consolidated his position as one of the most preceptive, balanced authors in his field. Perhaps reflecting growing anxiety about whether we can respond properly to species extinction and climate change, his latest publication, Wild Child, addresses the tragic, ongoing disconnection between children and Nature.
Laments about over-supervised children who are never allowed to stray outside or away from adult eyes have been getting louder for some time, but, as Mr Barkham writes, ‘the self-directed child, playing freely among an abundance of other animals, plants and peers, belongs to a lost civilisation’, one that he argues we’ve lost ‘in the blink of an eye’.
Not only does it leave youngsters under-equipped for developing an understanding of the natural world and, ultimately, to deal with environmental challenges, it has consequences for physical and mental health. ‘Evidence in so many scientific fields, from neuroscience to psychology, shows how reliant we are on Nature for our own good,’ he says. ‘I think part of the reason for the mental-health crisis, particularly among young people, is the disconnect with Nature.’
Denne historien er fra October 07, 2020-utgaven av Country Life UK.
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Denne historien er fra October 07, 2020-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery