MODERN technology can be a wonderful thing, but a disastrous social consequence has been the rise of a generation of Johnny no-talents, ever ready to bore you with out-of-focus, ill-framed iPhone snaps. David Suchet, an impulsive photographer who never leaves the house without a proper camera, certainly does not fit in that category. His new book, Behind the Lens: My Life, bursts with images of London locations famous and obscure, trees, boats, actors and ordinary people with which any working photographer would be delighted.
He bats away any notion of skill. ‘I’m not a good photographer, and I don’t aim to be. I could never set up a professional shot—I don’t have that technical knowledge,’ he says. I suspect he’s a lot more serious about the art than he’s letting on.
In the book, he admits to having a photographic mentor, but his modesty may also stem from the fact that he hails from a family of working photographers. The text of Behind the Lens is built up from a series of conversations with his editor, Claire Chesser, in which Mr Suchet offers piercing insights into his approach to acting, his faith and his family, as well as his love of music, canal boating and Nature.
Arguably, the most affecting parts are where he talks about his maternal grandfather, Jimmy Jarche, an accomplished, oldschool professional snapper, famed for getting the first public shot of Edward VIII and Wallis Simpson, in a nightclub.
‘He was an amazing man, the sort who could quietly walk into a room of 200 people and they’d all look round to see who he was. His charisma was extraordinary,’ reflects Mr Suchet, who made a touching ITV documentary about him in 2012.
Denne historien er fra October 16, 2019-utgaven av Country Life UK.
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Denne historien er fra October 16, 2019-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Give it some stick
Galloping through the imagination, competitive hobby-horsing is a gymnastic sport on the rise in Britain, discovers Sybilla Hart
Paper escapes
Steven King selects his best travel books of 2024
For love, not money
This year may have marked the end of brag-art’, bought merely to show off one’s wealth. It’s time for a return to looking for connoisseurship, beauty and taste
Mary I: more bruised than bloody
Cast as a sanguinary tyrant, our first Queen Regnant may not deserve her brutal reputation, believes Geoffrey Munn
A love supreme
Art brought together 19th-century Norwich couple Joseph and Emily Stannard, who shared a passion for painting, but their destiny would be dramatically different
Private views
One of the best ways-often the only way-to visit the finest privately owned gardens in the country is by joining an exclusive tour. Non Morris does exactly that
Shhhhhh...
THERE is great delight to be had poring over the front pages of COUNTRY LIFE each week, dreaming of what life would be like in a Scottish castle (so reasonably priced, but do bear in mind the midges) or a townhouse in London’s Eaton Square (worth a king’s ransom, but, oh dear, the traffic) or perhaps that cottage in the Cotswolds (if you don’t mind standing next to Hollywood A-listers in the queue at Daylesford). The estate agent’s particulars will give you details of acreage, proximity to schools and railway stations, but never—no, never—an indication of noise levels.
Mission impossible
Rubble and ruin were all that remained of the early-19th-century Villa Frere and its gardens, planted by the English diplomat John Hookham Frere, until a group of dedicated volunteers came to its rescue. Josephine Tyndale-Biscoe tells the story
When a perfect storm hits
Weather, wars, elections and financial uncertainty all conspired against high-end house sales this year, but there were still some spectacular deals
Give the dog a bone
Man's best friend still needs to eat like its Lupus forebears, believes Jonathan Self, when it's not guarding food, greeting us or destroying our upholstery, of course