GIROUARD, you must learn to play the part!’ Such was the advice of the Editor of COUNTRY LIFE, Frank Whitaker, when he offered Mark Girouard a job at the magazine in 1958. ‘I had just finished my doctorate and had failed to get a job either at the Ministry of Works or the National Trust. I think I was simply rather scruffy,’ Dr Girouard recalls thoughtfully. ‘Then one of the architectural writers at COUNTRY LIFE, Gordon Nares, died unexpectedly and I put in for the post. I was interviewed at the magazine’s offices in Covent Garden by the Editor and the Architectural Editor Christopher Hussey.’
We are sitting around a small breakfast table in a room filled with books and papers at his London home. Dr Girouard outwardly cuts an ascetic figure, but he talks with sensitivity and humor about his career. ‘My father loved visiting buildings and, as a boy, I remember visiting Hampton Court and Westminster Abbey. The Batsford books that appeared after the Second World War also fired my enthusiasm; that by Sacheverell Sitwell, British Architects, and Craftsmen, made me mad with excitement because it was written in such purple prose.’
Denne historien er fra October 06, 2021-utgaven av Country Life UK.
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Denne historien er fra October 06, 2021-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery
