GIROUARD, you must learn to play the part!’ Such was the advice of the Editor of COUNTRY LIFE, Frank Whitaker, when he offered Mark Girouard a job at the magazine in 1958. ‘I had just finished my doctorate and had failed to get a job either at the Ministry of Works or the National Trust. I think I was simply rather scruffy,’ Dr Girouard recalls thoughtfully. ‘Then one of the architectural writers at COUNTRY LIFE, Gordon Nares, died unexpectedly and I put in for the post. I was interviewed at the magazine’s offices in Covent Garden by the Editor and the Architectural Editor Christopher Hussey.’
We are sitting around a small breakfast table in a room filled with books and papers at his London home. Dr Girouard outwardly cuts an ascetic figure, but he talks with sensitivity and humor about his career. ‘My father loved visiting buildings and, as a boy, I remember visiting Hampton Court and Westminster Abbey. The Batsford books that appeared after the Second World War also fired my enthusiasm; that by Sacheverell Sitwell, British Architects, and Craftsmen, made me mad with excitement because it was written in such purple prose.’
Denne historien er fra October 06, 2021-utgaven av Country Life UK.
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Denne historien er fra October 06, 2021-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Save our family farms
IT Tremains to be seen whether the Government will listen to the more than 20,000 farming people who thronged Whitehall in central London on November 19 to protest against changes to inheritance tax that could destroy countless family farms, but the impact of the good-hearted, sombre crowds was immediate and positive.
A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
The great astral sneeze
Aurora Borealis, linked to celestial reindeer, firefoxes and assassinations, is one of Nature's most mesmerising, if fickle displays and has made headlines this year. Harry Pearson finds out why
'What a good boy am I'
We think of them as the stuff of childhood, but nursery rhymes such as Little Jack Horner tell tales of decidedly adult carryings-on, discovers Ian Morton
Forever a chorister
The music-and way of living-of the cabaret performer Kit Hesketh-Harvey was rooted in his upbringing as a cathedral chorister, as his sister, Sarah Sands, discovered after his death
Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
Biscuit tins, with their whimsical shapes and delightful motifs, spark nostalgic memories of grandmother's sweet tea, but they are a remarkably recent invention. Matthew Dennison pays tribute to the ingenious Victorians who devised them
It's always darkest before the dawn
After witnessing a particularly lacklustre and insipid dawn on a leaden November day, John Lewis-Stempel takes solace in the fleeting appearance of a rare black fox and a kestrel in hot pursuit of a pipistrelle bat
Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.
