Burghley House was already a substantial residence in 1571 and one on which Cecil had previously lavished money. Nevertheless, it was in the years after his ennoblement, between 1573 and 1588, that he created much of the great building that visitors admire today. As we celebrate the 500th anniversary of Cecil’s birth, it’s worth reconsidering the story of his baronial seat. For a country house of such defining importance to our understanding of Elizabethan architecture, its early history is surprisingly exiguous and, for a house of such manifest architectural splendour and seeming coherence, it is also unexpectedly complicated.
Whether judged long or short, the Cecil family connection to the locality of Burghley dated back to the reign of Henry VII, when William’s grandfather, David Sitsylt (as the name was then spelt), transferred his interests from Herefordshire to the environs of Stamford, Lincolnshire. He became a freeman of this town on the Great North Road in 1494 and subsequently served it as an MP, too. By securing his son Richard the place of a page to Henry VIII, he effectively laid the foundations of the family’s future good fortunes.
Denne historien er fra June 10, 2020-utgaven av Country Life UK.
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Denne historien er fra June 10, 2020-utgaven av Country Life UK.
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Save our family farms
IT Tremains to be seen whether the Government will listen to the more than 20,000 farming people who thronged Whitehall in central London on November 19 to protest against changes to inheritance tax that could destroy countless family farms, but the impact of the good-hearted, sombre crowds was immediate and positive.
A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
The great astral sneeze
Aurora Borealis, linked to celestial reindeer, firefoxes and assassinations, is one of Nature's most mesmerising, if fickle displays and has made headlines this year. Harry Pearson finds out why
'What a good boy am I'
We think of them as the stuff of childhood, but nursery rhymes such as Little Jack Horner tell tales of decidedly adult carryings-on, discovers Ian Morton
Forever a chorister
The music-and way of living-of the cabaret performer Kit Hesketh-Harvey was rooted in his upbringing as a cathedral chorister, as his sister, Sarah Sands, discovered after his death
Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
Biscuit tins, with their whimsical shapes and delightful motifs, spark nostalgic memories of grandmother's sweet tea, but they are a remarkably recent invention. Matthew Dennison pays tribute to the ingenious Victorians who devised them
It's always darkest before the dawn
After witnessing a particularly lacklustre and insipid dawn on a leaden November day, John Lewis-Stempel takes solace in the fleeting appearance of a rare black fox and a kestrel in hot pursuit of a pipistrelle bat
Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.
