TOM and Rosamond Sweet-Escott liked Chettle so much they almost bought it twice. This beautifully eccentric early-18th-century house came up for sale in 2015, having been owned by the same family for the previous 400 years. The Sweet-Escotts put in an offer but were pipped to the post, only for the buyers to have second thoughts and sell it to them after all. The tale of its long and painstaking repair has been detailed by John Martin Robinson in COUNTRY LIFE (November 18, 2020), but the gardens of Thomas Archer’s Baroque edifice have proved to be as fascinating—and enigmatic—as the history of the house itself.
Chettle was built in about 1715 for George Chafin, shortly after his marriage to a local heiress and his election as an MP for Dorset a position he was to hold for the next 40 years. It stands on the edge of the pretty village that shares its name, on the glorious chalk uplands of Cranborne Chase, a vast medieval hunting ground that remains remarkably wild and woolly to this day, crisscrossed by Roman roads and peppered with prehistoric earthworks. The house was long a puzzle to architectural historians, with documentary evidence for Archer’s authorship only coming to light in recent years, but its mystery was as nothing compared with the grounds. Gardens there must surely have been to frame such an ambitious house, yet not a single sketch, plan, or early description has ever been found.
Denne historien er fra September 22, 2021-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra September 22, 2021-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Happiness in small things
Putting life into perspective and forces of nature in farming
Colour vision
In an eye-baffling arrangement of geometric shapes, a sinister-looking clown and a little girl, Test Card F is one of television’s most enduring images, says Rob Crossan
'Without fever there is no creation'
Three of the top 10 operas performed worldwide are by the emotionally volatile Italian composer Giacomo Puccini, who died a century ago. Henrietta Bredin explains how his colourful life influenced his melodramatic plot lines
The colour revolution
Toxic, dull or fast-fading pigments had long made it tricky for artists to paint verdant scenes, but the 19th century ushered in a viridescent explosion of waterlili
Bullace for you
The distinction between plums, damsons and bullaces is sweetly subtle, boiling down to flavour and aesthetics, but don’t eat the stones, warns John Wright
Lights, camera, action!
Three remarkable country houses, two of which have links to the film industry, the other the setting for a top-class croquet tournament, are anything but ordinary
I was on fire for you, where did you go?
In Iceland, a land with no monks or monkeys, our correspondent attempts to master the art of fishing light’ for Salmo salar, by stroking the creases and dimples of the Midfjardara river like the features of a loved one
Bravery bevond belief
A teenager on his gap year who saved a boy and his father from being savaged by a crocodile is one of a host of heroic acts celebrated in a book to mark the 250th anniversary of the Royal Humane Society, says its author Rupert Uloth
Let's get to the bottom of this
Discovering a well on your property can be viewed as a blessing or a curse, but all's well that ends well, says Deborah Nicholls-Lee, as she examines the benefits of a personal water supply
Sing on, sweet bird
An essential component of our emotional relationship with the landscape, the mellifluous song of a thrush shapes the very foundation of human happiness, notes Mark Cocker, as he takes a closer look at this diverse family of birds