IT was an even greater pleasure than I had expected to visit the Petworth Park antiques fair in mid September. There was doubt about its opening almost to the moment that it did, but circumstances—and the weather—were kind.
Business was done across the board, including a rare Regency four-fold screen (Fig 1) from William Cook, and it was moving to feel the real joy of exhibitors and visitors once again doing something that they loved, in the traditional way. For many of us, it may be some time before we experience that again.
When, eventually, our current stop-start way of living gives way to a more predictable existence, we are unlikely to go back fully to our old ways of doing things, when online was only one method among many. At the moment of writing, it’s possible to go to a physical exhibition, if not a traditional opening—but who knows if that will be the case next week or next month?
However, it has been evident from many of the shows, activities and initiatives that I have covered here over the past months that the best businesses are making sure that the internet really works for them. If they cannot do so, they will probably go under.
In the past, especially before art fairs came to prominence, the trade was made up of individuals who rarely co-operated with one another (except, whisper it, those who took part in bidding rings) and dealers and auctioneers observed professional, and often social, distancing. It’s not that long ago that dealers, even former colleagues, were never invited to boardroom lunches at Christie’s.
Denne historien er fra October 14, 2020-utgaven av Country Life UK.
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Denne historien er fra October 14, 2020-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Happiness in small things
Putting life into perspective and forces of nature in farming
Colour vision
In an eye-baffling arrangement of geometric shapes, a sinister-looking clown and a little girl, Test Card F is one of television’s most enduring images, says Rob Crossan
'Without fever there is no creation'
Three of the top 10 operas performed worldwide are by the emotionally volatile Italian composer Giacomo Puccini, who died a century ago. Henrietta Bredin explains how his colourful life influenced his melodramatic plot lines
The colour revolution
Toxic, dull or fast-fading pigments had long made it tricky for artists to paint verdant scenes, but the 19th century ushered in a viridescent explosion of waterlili
Bullace for you
The distinction between plums, damsons and bullaces is sweetly subtle, boiling down to flavour and aesthetics, but don’t eat the stones, warns John Wright
Lights, camera, action!
Three remarkable country houses, two of which have links to the film industry, the other the setting for a top-class croquet tournament, are anything but ordinary
I was on fire for you, where did you go?
In Iceland, a land with no monks or monkeys, our correspondent attempts to master the art of fishing light’ for Salmo salar, by stroking the creases and dimples of the Midfjardara river like the features of a loved one
Bravery bevond belief
A teenager on his gap year who saved a boy and his father from being savaged by a crocodile is one of a host of heroic acts celebrated in a book to mark the 250th anniversary of the Royal Humane Society, says its author Rupert Uloth
Let's get to the bottom of this
Discovering a well on your property can be viewed as a blessing or a curse, but all's well that ends well, says Deborah Nicholls-Lee, as she examines the benefits of a personal water supply
Sing on, sweet bird
An essential component of our emotional relationship with the landscape, the mellifluous song of a thrush shapes the very foundation of human happiness, notes Mark Cocker, as he takes a closer look at this diverse family of birds