IN the paintings—six, in total—that H. Reginald Cooke, doyen of Edwardian flatcoated retriever breeders, commissioned from artist Maud Earl, his raven-black dogs each extend to an unglimpsed handler a single, limp-bodied grouse. The dogs’ tails and legs are well feathered, autumn sunlight glancing off glossy coats. Their mouths are gentle, their heads erect, eyes alert, tails momentarily still. In the manner of Earl’s paintings, her subjects have a heroic elegance. These are supremely handsome gundogs and wonderfully reliable workers: a sportsman’s best companion.
This was how lifelong flatcoat aficionado Charles Eley eulogised the breed in his History of Retrievers, a book commissioned at the outbreak of the First World War, although publication was delayed until 1921. Eley celebrated flatcoats’ ‘beauty and charm… coupled with a natural docility and reciprocal love for man’. Today’s owners agree. ‘They’re so charming, they absolutely capture your heart,’ Christiane Bunce, a flatcoat owner for 40 years, tells me. ‘They want to please, they’ll do anything to please, they’re wonderfully affectionate.’
With greater loyalty than accuracy, Eley claimed ‘the present moment… finds the flat-coated retriever as firmly entrenched as ever in the minds as well as in the hearts of sportsmen’. What had been true when Eley embarked on his book was no longer the case by 1921. In the final quarter of the 19th century, Kennel Club(KC) founder-chairman Sewallis Shirley MP had championed flatcoats vigorously, but Shirley had been retired for four years when, in 1903, the KC recognised the labrador as a breed in its own right.
Denne historien er fra January 08, 2020-utgaven av Country Life UK.
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Denne historien er fra January 08, 2020-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Save our family farms
IT Tremains to be seen whether the Government will listen to the more than 20,000 farming people who thronged Whitehall in central London on November 19 to protest against changes to inheritance tax that could destroy countless family farms, but the impact of the good-hearted, sombre crowds was immediate and positive.
A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
The great astral sneeze
Aurora Borealis, linked to celestial reindeer, firefoxes and assassinations, is one of Nature's most mesmerising, if fickle displays and has made headlines this year. Harry Pearson finds out why
'What a good boy am I'
We think of them as the stuff of childhood, but nursery rhymes such as Little Jack Horner tell tales of decidedly adult carryings-on, discovers Ian Morton
Forever a chorister
The music-and way of living-of the cabaret performer Kit Hesketh-Harvey was rooted in his upbringing as a cathedral chorister, as his sister, Sarah Sands, discovered after his death
Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
Biscuit tins, with their whimsical shapes and delightful motifs, spark nostalgic memories of grandmother's sweet tea, but they are a remarkably recent invention. Matthew Dennison pays tribute to the ingenious Victorians who devised them
It's always darkest before the dawn
After witnessing a particularly lacklustre and insipid dawn on a leaden November day, John Lewis-Stempel takes solace in the fleeting appearance of a rare black fox and a kestrel in hot pursuit of a pipistrelle bat
Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.
