HOW do you identify a member of today’s British upper class, that doughty survivor of Imperial extinction, agricultural depression, school-fees hyperinflation, democracy and wokeism? The distinguishing marks are not quite as legible as they used to be. Income or material possessions, despite what sociologists might say, are a poor guide. Many of that class haven’t a brass farthing to their name—or look as if they haven’t, which is not quite the same thing. Dress, occupation, titles and not having to buy your own furniture are no longer safe indicators. Even an accent fails periodically when a generation flirts with estuarine chic. Perhaps the sole remaining litmus test is vocabulary.
In 1954, Alan Ross of Birmingham University published a paper in an obscure Finnish philological periodical entitled Linguistic class-indicators in present-day English. In his introduction, the Prof digressed briefly on the behavioural characteristics of a gentleman. These included an aversion to high tea, not playing tennis in braces and becoming amorous, maudlin or vomiting in public when drunk, but never truculent. Yet such minor traits were easily emulated by persons who, ‘though not gentlemen, might at first appear, or would wish to appear as such’. He concluded: ‘It is solely by its language that the upper class is clearly marked off from others’, implying that the intricacies of the dialect were tricky to acquire faultlessly unless imbibed with mother’s milk. Coining the terms U and non-U, he set out a blacklist of words and expressions and acceptable alternatives.
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Denne historien er fra March 03, 2021-utgaven av Country Life UK.
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Save our family farms
IT Tremains to be seen whether the Government will listen to the more than 20,000 farming people who thronged Whitehall in central London on November 19 to protest against changes to inheritance tax that could destroy countless family farms, but the impact of the good-hearted, sombre crowds was immediate and positive.
A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
The great astral sneeze
Aurora Borealis, linked to celestial reindeer, firefoxes and assassinations, is one of Nature's most mesmerising, if fickle displays and has made headlines this year. Harry Pearson finds out why
'What a good boy am I'
We think of them as the stuff of childhood, but nursery rhymes such as Little Jack Horner tell tales of decidedly adult carryings-on, discovers Ian Morton
Forever a chorister
The music-and way of living-of the cabaret performer Kit Hesketh-Harvey was rooted in his upbringing as a cathedral chorister, as his sister, Sarah Sands, discovered after his death
Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
Biscuit tins, with their whimsical shapes and delightful motifs, spark nostalgic memories of grandmother's sweet tea, but they are a remarkably recent invention. Matthew Dennison pays tribute to the ingenious Victorians who devised them
It's always darkest before the dawn
After witnessing a particularly lacklustre and insipid dawn on a leaden November day, John Lewis-Stempel takes solace in the fleeting appearance of a rare black fox and a kestrel in hot pursuit of a pipistrelle bat
Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.