Fig 1: The magnificent crypt houses the tombs of Empress Eugénie, Napoleon III and the couple’s son, the Prince Imperial
IN last week’s issue, we saw how the exiled Empress Eugénie, the widow of Napoleon III (d. 1873), bought the Farnborough Hill estate in 1880 and remained there until her death in 1920. Inside the house, she created a museum-like display that recounted the history of the Bonaparte dynasty from the rise of Napoleon Bonaparte, her husband’s uncle, up to the death of the Prince Imperial, her only son, in 1879. All of this was dismantled in 1927.
Her most important act of memorialisation, however, was the Mausoleum that she built within sight of the house in 1883–88. She had intended to build this at Camden Place, Chislehurst, in Kent, where the family had settled after the collapse of the imperial regime in 1870, but she faced opposition and was unable to buy enough land. It was primarily for this reason that she relocated to Hampshire. The bodies of the Emperor and the Prince were translated there in 1888.
Fig 2 above: The west front of the Mausoleum, now the conventual church of the abbey, built between 1883 and 1888 by Hippolyte Destailleur.
The Mausoleum stands to the south of the house, on the brow of a hill close by. Located in an estate of its own, it is separated from the grounds of the house by a railway line, but it was always meant to be seen across the parkland of Farnborough Hill and the view is essentially unchanged. Indeed, the sight of the Mausoleum, with its lofty dome rising through the pine trees of Hampshire, is one of the great unknown views of England.
Denne historien er fra August 19, 2020-utgaven av Country Life UK.
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Denne historien er fra August 19, 2020-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kitchen garden cook - Apples
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The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery