FOR many people living in the country, the opportunity to work from home requires a radical re-think of the way they use space. The result is that many country houses are evolving rapidly; outbuildings, in particular, provide flexible additional space for offices, accommodation and gyms. With broadband creating the possibility of living in remote areas, there is also a greater focus on guest accommodation and space for large-scale entertaining. For many, this new-found freedom is providing exciting chances to create the perfect rural idyll.
The architect Ross Sharpe, Yiangou
Work There are two emerging schools of thought on how home offices are best achieved. Some people are happy to remain in the main house and feel part of the action. Other clients want to detach themselves from domestic life and set up an office elsewhere. Although a converted outbuilding can fit the bill, there’s a growing band of clients who want their workspace to be in an environment that is more architecturally striking. Several are used to working in contemporary offices and want to bring a flavour of that to the countryside; some argue that anything too traditional isn’t appropriate or conducive to a professional working environment.
Play For some people moving to the country, the dream is to be able to house a collection of classic cars in a glass-fronted barn visible from their study window. The alternative is to go underground, a concept with which many Londoners are comfortable. Off this room will be further spaces, such as a temperature-controlled wine room with tasting facilities and somewhere to host after-dinner drinks.
Denne historien er fra September 02, 2020-utgaven av Country Life UK.
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Denne historien er fra September 02, 2020-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Save our family farms
IT Tremains to be seen whether the Government will listen to the more than 20,000 farming people who thronged Whitehall in central London on November 19 to protest against changes to inheritance tax that could destroy countless family farms, but the impact of the good-hearted, sombre crowds was immediate and positive.
A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
The great astral sneeze
Aurora Borealis, linked to celestial reindeer, firefoxes and assassinations, is one of Nature's most mesmerising, if fickle displays and has made headlines this year. Harry Pearson finds out why
'What a good boy am I'
We think of them as the stuff of childhood, but nursery rhymes such as Little Jack Horner tell tales of decidedly adult carryings-on, discovers Ian Morton
Forever a chorister
The music-and way of living-of the cabaret performer Kit Hesketh-Harvey was rooted in his upbringing as a cathedral chorister, as his sister, Sarah Sands, discovered after his death
Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
Biscuit tins, with their whimsical shapes and delightful motifs, spark nostalgic memories of grandmother's sweet tea, but they are a remarkably recent invention. Matthew Dennison pays tribute to the ingenious Victorians who devised them
It's always darkest before the dawn
After witnessing a particularly lacklustre and insipid dawn on a leaden November day, John Lewis-Stempel takes solace in the fleeting appearance of a rare black fox and a kestrel in hot pursuit of a pipistrelle bat
Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.