The library of the early 1900s, with Flemish relief carving in the panelling, was the dining room in the later 20th century
PASSING through the front door of Longstowe Hall, the modern visitor would be forgiven for imagining that they had stepped into a 17th-century Dutch painting. In the hall-and, the spaces radiating off it—the fall of natural light animates the rich surfaces and textures of stone, marble, wood, plaster and metal to create serene interiors. Old oak combines with marquetry pieces and fragments of Continental carving. The illusion is not an accident. It underlines an intense admiration in about 1900—when these spaces were reworked in their present form-for the paintings of artists such as Jan Steen and Johannes Vermeer. Exactly the same aesthetic is apparent in the early architectural photography of COUNTRY LIFE.
Longstowe Hall is, in origin, an Elizabethan brick manor house built on a traditional E-plan. As the Cambridge Chronicle of 1867 notes, however, it was 'almost rebuilt' by Cambridge architect William Fawcett for the then owner, one Sidney Stanley. From this era, the house retains its huge, west-facing drawing-room, with a French-style marble chimneypiece and restrained neo-Jacobean plasterwork. Some earlier interiors were also preserved, such as the neighbouring morning room in an 18th-century spirit. This was recorded by the artist David Wilkie, who stayed at the house in about 1840.
Denne historien er fra April 27, 2022-utgaven av Country Life UK.
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Denne historien er fra April 27, 2022-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery