OH! I have slipped the surly bonds of earth,/And danced the skies on laughter-silvered wings,’ wrote John Gillespie Magee in his sonnet High Flight. The Second World War pilot may have flown lark-like in a Spitfire, but that feeling of liberation, lift and those ‘wind-swept heights’ conveyed can equally be applied to ballooning.
‘That’s a poetic way of looking at it,’ acknowledges 82-year-old Don Cameron, a ballooning pioneer both in the air and in his business, Cameron Balloons, which is half a century old this year. ‘Ballooning has a beauty to it, a magic and a mystery—you are defying gravity and you never quite know where you will end up.’
On cloud-free, still mornings and evenings, balloons take to the troposphere, turning the uniform blue to a kaleidoscope of color. Many of these vibrant envelopes (the technical term for the balloon’s fabric element) will have been given life within Cameron Balloons’s 42,000sq ft factory in Bedminster, Bristol, the most prolific producer of balloons in the world.
First, the nylon fabric, in varying thicknesses and a potential rainbow of colors, will be cut out, either by machine or by hand, in the latter case following a paper template. Then, on the second floor, the sections are joined and sewn, the semi-finished envelopes cascading waterfall-like from machine tables and swathing the floor in their voluminous folds. After eight weeks, a completed envelope containing more than 3,000ft of fabric will be ready for inspection, as well as partial inflation on the near-empty first floor. Finally, on a clement day, the balloon-to-be will be taken to nearby Ashton Court Park for total inflation, the last before it takes to the skies in earnest with a basket beneath.
Denne historien er fra August 11, 2021-utgaven av Country Life UK.
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Denne historien er fra August 11, 2021-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Happiness in small things
Putting life into perspective and forces of nature in farming
Colour vision
In an eye-baffling arrangement of geometric shapes, a sinister-looking clown and a little girl, Test Card F is one of television’s most enduring images, says Rob Crossan
'Without fever there is no creation'
Three of the top 10 operas performed worldwide are by the emotionally volatile Italian composer Giacomo Puccini, who died a century ago. Henrietta Bredin explains how his colourful life influenced his melodramatic plot lines
The colour revolution
Toxic, dull or fast-fading pigments had long made it tricky for artists to paint verdant scenes, but the 19th century ushered in a viridescent explosion of waterlili
Bullace for you
The distinction between plums, damsons and bullaces is sweetly subtle, boiling down to flavour and aesthetics, but don’t eat the stones, warns John Wright
Lights, camera, action!
Three remarkable country houses, two of which have links to the film industry, the other the setting for a top-class croquet tournament, are anything but ordinary
I was on fire for you, where did you go?
In Iceland, a land with no monks or monkeys, our correspondent attempts to master the art of fishing light’ for Salmo salar, by stroking the creases and dimples of the Midfjardara river like the features of a loved one
Bravery bevond belief
A teenager on his gap year who saved a boy and his father from being savaged by a crocodile is one of a host of heroic acts celebrated in a book to mark the 250th anniversary of the Royal Humane Society, says its author Rupert Uloth
Let's get to the bottom of this
Discovering a well on your property can be viewed as a blessing or a curse, but all's well that ends well, says Deborah Nicholls-Lee, as she examines the benefits of a personal water supply
Sing on, sweet bird
An essential component of our emotional relationship with the landscape, the mellifluous song of a thrush shapes the very foundation of human happiness, notes Mark Cocker, as he takes a closer look at this diverse family of birds
