On the day lockdown was lifted in June, the property market in Bath took off like a rocket and has been on a roll ever since, says James Mackenzie of Strutt & Parker’s Country Department. He cites the example of 23, Bathwick Hill, a grand, Grade II-listed Georgian villa with spectacular views over National Trust land, which had been on the market, on and off, for quite some time. ‘No sooner had we launched the house on the open market in early June, than three buyers immediately came forward, and after competitive bidding, it sold for £4.35 million,’ he reveals.
The Bathwick area of the city, on the opposite bank of the River Avon to the historic city centre, became part of Bath’s Georgian heartland with the 18th-century development of the Pulteney Estate and the building of Pulteney Bridge. There followed some of Bath’s most famous Georgian streets, among them Sydney Place, where numbers 1 to 12—three-storey houses with mansard roofs designed by Thomas Baldwin —were built in about 1800. Jane Austen lived at No 4 from 1801 to 1805.
Nos 93–103, Sydney Place is a Grade I-listed terrace of 11 grand symmetrical houses built in 1808–09 by John Pinch the Elder. According to its Historic England listing, ‘each three-bay house is set slightly lower than its northerly neighbour to produce an elegantly descending rhythm anchored to the cylindrical corner of No 103’. Distinguished early residents of the terrace, which overlooks the park and open space of Sydney Gardens, include Queen Charlotte, who lived at No 93 in 1817, and William IV, who lived at No 103.
Denne historien er fra October 28, 2020-utgaven av Country Life UK.
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Denne historien er fra October 28, 2020-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery