THERE is something mythical about the eel, as if it were an imaginary creature such as a unicorn or a griffin. It is literally—and figuratively—slippery, full of contradictions and mystery. For as much as we know about Anguilla anguilla—the European eel— there is far more that we don’t. If you should be standing on the banks of the River Severn one night when the moon peeks out from behind a bank of cloud and catch a glimpse of an eel slipping through the water, you’ll see how magical it can be.
The eel, with its distinctive, snake-like shape and fringe of fins, has been gliding through our waters for some 100 million years. Life begins thousands of miles away, in the Sargasso Sea, an area of the Atlantic Ocean as big as France, Germany and Britain combined. Billions and billions of eels are born there each year and begin the treacherous journey east, drifting along currents coming out of the Caribbean. They’re tiny, leaf-shaped creatures at this stage and only a fraction will survive the estimated two-year-long crossing.
If you glimpse an eel slipping through the water, you’ll see how magical it can be
Why does the eel undertake such a long migration? There are 16 eel species globally that have both an ocean and freshwater life, including the European eel, and each has its own equivalent of the Sargasso Sea. ‘The European eel makes much the longest journey,’ reveals Andrew Kerr, founder of the Sustainable Eel Group (SEG), a conservation organisation working to protect and accelerate the recovery of the European eel. ‘The reason is that Europe and North America have drifted apart, so this migration has become further and further.’
Denne historien er fra July 15, 2020-utgaven av Country Life UK.
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Denne historien er fra July 15, 2020-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery