Initially an Indie Rock band, Wild Beasts steadily shifted towards synths, samplers and software. Having fully embraced technology now, Ben Little explains to Danny Turner how it all became an irreversible addiction
Hailing from the rural hills of Kendal, Cumbria, Wild Beasts’ debut album Limbo, Panto (2006) made an immediate critical impact, with much of the attention focused on lead singer Hayden Thorpe’s astonishing falsetto vocal.
While under the guidance of Domino, the band gained access to their inspiring stockroom of artists. The syncopated electronic tones of Kieran Hebden’s Four Tet provided a particularly persuasive argument for moving beyond the confines of a traditional four-piece Rock band. After much experimentation, Wild Beasts’ transgression from Rock to Dream pop to Electro Pop has been seamless. New album, Boy King, deftly combines all three elements, presenting their most persuasive and textured album to date, driven by Thorpe’s melancholy lyrical machinations and his bandmates’ eclectic ambition to tread new ground.
FM: How did Wild Beasts form and what was the ideology; it was just you and Hayden right?
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Denne historien er fra September 2016-utgaven av Future Music.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates
