IN the 1950s and ‘60s, when Lincoln Center was being built and Carnegie Hall was scheduled for demolition, few believed New York City could handle more than one performance space each for concerts, ballet or opera.
In the 1970s and ‘80s, when interest arose to restore Brooklyn’s spectacular Flatbush Kings, a classic 1920s movie palace, few thought Brooklyn could handle more than what BAM had to offer.
Then came the ‘90s. The city’s steady organic turn-around, underway since the ‘70s, began to be noticed. Today, well, the city is booming, with a population of more than 8 million. Tourism is over the top and theater seats seem to be filled all over town. Performance spaces of all kinds in both Manhattan and Brooklyn have multiplied beyond all expectations and they seem to be thriving.
So it is not so surprising that a new, quite innovative performance space – the Ronald O. Perelman Performing Arts Center – is actually moving ahead at the World Trade Center site with a planned opening in 2020. Optimism about its future is strong.
While it may seem like a long time coming, President/Director Maggie Boepple says, “The building could not be built until the Port Authority dismantled the temporary PATH station and built seven stories of foundations. We are right on time actually.”
Ms. Boepple joined the Center in 2012, responsible for developing and executing the center’s artistic and programmatic vision. She has built the artistic team and shepherded the project through an architectural design competition. Prior to joining the Center, known then as PAC@ WTC, Boepple was President of the Lower Manhattan Cultural Council, where, under her direction, the Council ran the largest artist residency program in New York, produced summer performance series, and created innovative arts programs, including the LentSpace Art Park and studios on Governor’s Island.
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Denne historien er fra Issue 59-utgaven av Greenwich Country Capitalist Magazine.
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Humanity First
As I listened to Donald J. Trump’s “America First” inaugural speech on NPR, I was struck by a conversation I had had with my Afghan daughter before she departed for a semester in Rome the day before the inauguration.
Our Little Racket
In the waning light of the predinner hour, Mina Dawes sat across the table from Isabel, desperate to keep their conversation aloft. During the silences her gaze wandered out over Isabel’s pool, its surface entirely untroubled beneath the late-afternoon sun.
The Palm Beaches
IT WAS WINTER 2011; I was sitting alone in my home in Connecticut.
The Einstein Legacy Project
ALBERT Einstein was a true genius.
Statue Of Limitations
You can go in now, miss,” the receptionist directed.Emma crossed the waiting room and entered the office. The Chairman of the American Committee motioned Emma to a chair across the desk from him.
Hamptons International Film Festival's Silver Anniversary
LIGHTS! Camera! Action! It’s hard to believe the Hamptons International Film Festival (HIFF) is celebrating a quarter century of showcasing great works in film.
Megyn Kelly Settle for More
Rye’s Megyn Kelly, in the Spotlight.
Women Create Their Own Opportunities in New York's Growing Weed Industry
On a recent Thursday evening in downtown Manhattan, nearly 50 women and a few men, ranging from millennials to baby boomers, gathered in a sleek co-working space to talk about weed.
Mah Jong Memory
I remember mah jong through a haze of memory and my mother’s Benson & Hedges cigarette smoke.
The Heirs
Eleanor belonged to that class of New Yorker whose bloodlines were traced in the manner of racehorses: she was Phipps (sire) out of Deering (dam), by Livingston (sire’s dam) and Porter (dam’s dam).
