On an ancient leather couch tucked in the back of Rough Draft, a cozy bookstore and café in Kingston, New York, Luann de Lesseps is country house chic in a white puffy vest with a fur-trimmed hood over a gray sweater and nary a statement necklace (her signature) insight. There is something unaccountably regal about her, though maybe that’s just good posture. A fixture of The Real Housewives of New York City since its debut in 2008, she’s a red giant in Bravo’s galaxy of reality-TV stars. That’s no small achievement: The network currently airs seven Real Housewives series, fuels a cottage industry of “Bravolebrity”-branded products (Vanderpump rosé from Beverly Hills, SparkleDog pink dog food from Dallas), and welcomed thousands of attendees to the first-ever BravoCon in Manhattan this past November.
Kingston is a small, low-key city, but that doesn’t mean there’s not plenty to do. De Lesseps has already fit in a full morning of yoga and green juice—“Half the price of New York, by the way”—then dropped her visiting daughter, Victoria, off at the nail salon. De Lesseps purchased a home in the nearby hamlet of Port Ewen, a scenic hour and 45 minutes along the New York State Thruway from her apartment on the Upper West Side, in late 2018, seeking peace and quiet in the idyllic environs of the Hudson Valley. Peace and quiet are not resources she has always enjoyed in abundance.
Denne historien er fra March 16-29, 2020-utgaven av New York magazine.
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Denne historien er fra March 16-29, 2020-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
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Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
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