Of the television creators whose work possesses the authorial stamp and social heft needed to sustain an academic conference, and the fan devotion required to make them household names, Shonda Rhimes is in a tier with only Norman Lear. The Chicago screenwriter's first megahit, the long-running medical drama Grey's Anatomy, premiered in 2005, while her most obsessed-over follow-ups, Scandal and How to Get Away With Murder, redefined appointment viewing for the Obama era. Each took audiences on a savvy, soapy ride through the work and sex lives of a refreshingly multiracial cast of horny careerists while hauling in millions of dollars and eyeballs for ABC. But after a public falling-out with her longtime creative home, Rhimes left network TV for Netflix in 2017. The diamond of that deal so far is an adaptation of the Julia Quinn period romance Bridgerton, now heading into its third season, a pandemic hit for Rhimes's Shondaland imprint but one that Rhimes herself had never actually written for. That changes with its new six-episode prequel, Queen Charlotte: A Bridgerton Story, in which she uses the prickly and slightly unhinged monarch's origin tale to elaborate on one of the series' haziest questions: Why are there so many Black aristocrats in Regency-era England? It features all the Rhimes hallmarks, but the romantic fantasy of Queen Charlotte traverses somber new ground, balancing a sweeping view of history with a more intimate exploration of grief, regret, and painful decisions. (Bridgerton mainstays Lady Agatha Danbury and Lady Violet Bridgerton get thorough backstories here as well.) Rhimes sees the series as of a piece with Shondaland's bigger mission in TV: "I'm really not interested in doing something we've done before."
Denne historien er fra May 8-21, 2023-utgaven av New York magazine.
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Denne historien er fra May 8-21, 2023-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten
