AS COVID TAKES its time ebbing away from the life of the city, all sorts of welcome signs of recovery are springing up around town. Broadway is open again, of course, and the last time I wandered down Restaurant Row on 46th Street, herds of goggle-eyed tourists were jostling for space along the sidewalks just like in the old days. The lean-to sheds up and down the avenues are made of sturdier materials for the coming cold weather, and many are set with proper four-tops and strings of decorative lights. A few vanished establishments are even coming back to life (hello, Gotham), and here and there the kind of theatrical, big-money, high-concept restaurants that used to open weekly, like Broadway plays, during the boom years seem to be slowly returning to the landscape.
The long-awaited New York outlet of the U.K. steakhouse franchise Hawksmoor is one of these places, and though your humble critic is as skeptical of the ridiculous phrase U.K. steakhouse as any red-blooded New Yorker, I couldn’t help feeling a little lift in the heart as I took my seat in the large room and waited for the performance to begin. The large space at the bottom of Park Avenue South has been appointed with all the familiar props: wood-paneled walls, tastefully reinforced chairs, chalkboards scrawled with daily cuts of beef, which are sold here by the ounce. The wait staff aren’t dressed in the standard steakhouse costume (waist apron, buttoned-up shirt, etc.), but on the evenings I dropped in, the tables were filled with the usual suspects: a few Englishmen who knew the brand along with portly expense-account folk eyeing their usual porterhouse order and admiring their recently decanted bottles of marked-up red wine.
Denne historien er fra November 8 - 21, 2021-utgaven av New York magazine.
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Denne historien er fra November 8 - 21, 2021-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten