Trump’s Enablers Congressional Republicans don’t even pretend to stand up to the president anymore.
After John Mccain’s death, as official Washington set its flags at half-staff, Chuck Schumer proposed another kind of tribute to the iconic senator and war hero: that the Russell Senate Office Building, currently named for a segregationist southern Democrat, be renamed for McCain. His Republican colleagues, however, demurred.
They could not admit that their real reason for opposing the honor was that McCain had crossed Trump. Nor could they defend Senator Richard Russell’s ardent white supremacy, which extended to denouncing laws to ban lynching. Instead, they flailed about, inventing pretexts on the fly. Russell “did so many other things,” Georgia Republican David Perdue rhapsodized. “He was a big supporter of the Great Society, the War on Poverty. Now, we all know those things failed, but he was a big champion of them.” So here was Perdue arguing that Russell deserved to be honored for his role in crafting what Perdue’s party regards as a historic debacle. Even Lindsey Graham proclaimed that the best way to honor his best friend would somehow be to not name a Senate building after him: “Instead of worrying about what to name for him … let’s be more like him.”
What was at stake in this absurd stance was something large: Donald Trump was once again demanding a display of submission from his party. And once again, he received it. As in a Stalinist show trial, the preposterousness of the statements made them more rather than less valuable. Senate Republicans demonstrated their willingness to turn on a colleague out of fealty to Trump, and all the better for him that they did so out of transparent fear rather than conviction.
Denne historien er fra September 3, 2018-utgaven av New York magazine.
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Denne historien er fra September 3, 2018-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten
