Sally Draper grows up on Netflix’s Chilling Adventures of Sabrina.
KIERNAN SHIPKA IS ONLY 18, AND SHE HAS already given up coffee. “This is me getting cray,” she says as she breaks her own rule and orders a macadamia-nut latte at one of her favorite Los Angeles breakfast spots. While she usually favors a homemade drink made of matcha and mushrooms, today she’s in the mood for something stronger. “My body has been under more stress than ever before,” she says. “I don’t think the adaptogens are helping, I really don’t. Every morning after I drink my drink, I’m like, I’m still so stressed out! Come on, chaga, pull your weight over here.”
Talking about herbal stress relievers with Shipka has the uncanny quality of going out for drinks with a cousin you used to babysit, or running into your now grown-up kid neighbor on Tinder. For nearly nine years, Shipka was TV’s embodiment of girlhood in transition. We watched her grow up in front of us as Mad Men’s Sally Draper, from a neglected 6-year-old with a dry cleaning bag on her head to a world weary 15-year-old grappling with the imminent loss of one parent and seeing another through new eyes. But over sneaky lattes on this sunny August morning, Shipka looks, for once, like a thoroughly modern teen. Her shoulder-length blonde hair—usually coiffed into a ’60s-style bob for her period turns on Mad Men and Ryan Murphy’s Feud— is straight and pinned back. She radiates that freckly, makeup-free glow that Glossier has tried so hard to bottle but is best obtained by being a teenage girl on a sunny summer day in California.
Denne historien er fra September 3, 2018-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra September 3, 2018-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.