WHEN LAURA LINNEY starred in a 2002 Broadway revival of The Crucible, her favorite part was Act Three, in which her character, Elizabeth Proctor, doesn’t appear onstage. “I would be underneath the floorboards of the theater, just listening,” she says. “You could hear the orchestration of the voices. Liam Neeson tromping around. Then you realize just what a fucking genius Arthur Miller was. When you’re in the work like that, it just envelops you and moves through your body.”
Linney is an actor’s actor, Juilliard trained and now on the school’s board of trustees. For more than 30 years, she has made a career in television, film, and the theater. She recently wrapped the fourth and final season of Netflix’s Ozark and has begun shooting an Irish drama, The Miracle Club, with Maggie Smith and Kathy Bates. Throughout her body of work, she exudes a quality at once familiar and slightly hard to place— a dimpled smile that can slide easily from delight to menace and a contralto voice that understands the constraints of her medium. She has a good disposition for the industry: a realistic outlook and a sunny steeliness that help her weather the ebbs and flows. Still, when it comes to why she became an actor, she has no answer. “I don’t know if I really want to know,” she says. “Maybe when I’m 80, I’ll look at it.”
What are your first distinct memories of the theater?
Denne historien er fra June 20-July3, 2022-utgaven av New York magazine.
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Denne historien er fra June 20-July3, 2022-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten