Rachels Weisz and McAdams practically shtup on a Torah in Disobedience.
THREE NICE JEWISH girls in two very different kinds of movies occupy my Tribeca Film Festival– oriented column this issue, and I am—as my shtetldwelling ancestors would have put it— farblondzhet. My confusion comes from the fact that there is but one set of laws handed down by God but so many fascinating ways of disobeying them. Praise Ha’shem for not making me a Talmudist.
The lesbian Orthodox drama Disobedience starts with a kind of challenge. An elderly British Orthodox rabbi—the most respected kind, a rav played by Anton Lesser with fun Olivier cadences, turns away from the Ark and tells his rapt congregation (bearded men down front, bewigged women in the rafters) that humans, unlike angels and demons, are “free to choose.” Then he keels over, dead, which doesn’t look like a choice. But his words nonetheless hang over the film. Rachel Weisz plays the rav’s estranged daughter, Ronit, who is told of his death while in New York photographing an old man covered with tattoos (you shall not incise any marks on yourself); promptly has sex in a bathroom stall (you shall not drunkenly fornicate with strangers in loos); and goes ice-skating (the Torah is silent on ice-skating, except on the Sabbath). Then Ronit returns to London to help bury her dad, not expecting to run promptly into her old lesbian lover, Esti.
Denne historien er fra April 16, 2018-utgaven av New York magazine.
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Denne historien er fra April 16, 2018-utgaven av New York magazine.
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Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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