THE FIRST TIME Elizabeth Marvel saw Bill Camp, he was a college dropout, and she was a 15-year-old girl making drawings on the floor. It was the mid-’80s, and Beth (he calls her Beth) was a student at Interlochen Arts Academy in Michigan. At this point, Bill had left the University of Vermont and been accepted at Juilliard, but before he went back to school, he and some buddies took a road trip out West to live in a tepee in Colorado. Along the way, they dropped in unannounced on an old pal from UVM who happened to be Beth’s teacher. She was struck by these 20-something guys, the way their long hair and camo shorts seemed like the height of cool. He barely noticed her.
The first time Bill Camp saw Elizabeth Marvel was a few years later. He was still at Juilliard, doing a work-study gig as an audition monitor, and she was one of the young actors hoping to be accepted. The place was crackling with nervous energy, but none of it was coming from Beth. She was sitting in the corner, smoking, without a care in the world. Bill was amazed by this self-assured girl in jeans, Wallabees, and an oxford shirt that was too big for her. He lit her cigarette and wanted to say something charming, but he got nervous and couldn’t find the words.
Beth did get in, and Bill was the one who gave her a tour on her first day. They talked for three hours afterward. But their first date wasn’t until after Bill had graduated. He came back to see a show on campus, and Beth was there, running around barefoot, working as an usher. He was still smitten, and at intermission he asked her out. They went to the Emerald Inn on Columbus, and when a bunch of Beth’s classmates walked in, they left immediately.
Denne historien er fra March 15 - 28, 2021-utgaven av New York magazine.
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Denne historien er fra March 15 - 28, 2021-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
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Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
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In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
