On May 29, 1966, Jamie Spears was 13 years old, an eighth-grade honor-roll student small for his age, the son of a father a friend describes as "a fireball on steroids." Jamie had three siblings, ages 3 and 5 and 8, and there ought to have been another one, the second born, but Austin Wayne Spears died at 3 days old, leaving Jamie alone again with his parents. The family lived near the Mississippi line in Kentwood, Louisiana, 70 miles from the hospital where Austin Wayne was born, far from anything then and far from anything now. Generations back and generations forward they lived and would live here, in Tangipahoa Parish, in the bare little towns that ran along the train tracks. The baby had been buried below an oak tree in a small cemetery loud with the buzzing of cicadas. Jamie's mother was named Emma Jean Forbes, and everyone called her Jean. She was small, like her husband and son, and she was blonde, and she had married when she was 16 years old, which was older than her mother had been when she married in Mississippi. Later, her husband would tell the coroner that Jean had tried to kill herself three times, but whether to believe her husband and what part he might have played in what unfolded in May 1966, remains in question.
Denne historien er fra November 07 - 20, 2022-utgaven av New York magazine.
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Denne historien er fra November 07 - 20, 2022-utgaven av New York magazine.
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Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
