For a would-be strongman, cruelty is the ultimate deterrent.
WHEN DONALD TRUMP first proposed to ban all Muslim immigrants from the United States two and a half years and a thousand Trump controversies ago, the Republican frontrunner was asked if he would have supported the internment of Japanese-Americans during World War II. “I would have had to be there at the time to tell you, to give you a proper answer,” he equivocated, before proceeding to express his general sympathy for the concept. “It’s a tough thing. It’s tough,” he said. “But you know, war is tough. And winning is tough. We don’t win anymore. We don’t win wars anymore. We don’t win wars anymore. We’re not a strong country anymore.”
One of the things this comment revealed was Trump’s odd belief that the internment of loyal Japanese-Americans had somehow helped win the war, rather than divert human and material resources from the war effort in service to a cruel, racialized panic, as historians generally believe. More was at work here than simple confusion. This historical digression proved to be a prophetic guide to an as-yet unimaginable future Trump presidency. It displayed one of Trump’s foundational values: his contempt for human and legal rights, especially those of racial minorities, and his atavistic fixation with toughness as both the source of the country’s (imagined) historical decline and the key to its restoration.
The Trump presidency is a surreal experience in part because it is so difficult to discern the reliability of the president’s rhetoric as a guide to action. The family separation crisis is an important moment in Trump’s presidency because it collapses the chasm between word and deed. The brutal vision of the American state Trump has been painting for three years has finally materialized before our eyes.
Denne historien er fra June 25, 2018-utgaven av New York magazine.
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Denne historien er fra June 25, 2018-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten