Hollywood is furious about “motion smoothing,” a high-tech default setting on most new TVs. But do electronics manufacturers care what auteurs think?
Not so long ago, I found myself at a Best Buy in Brooklyn, mesmerized by a wall filled with giant TVs, all seductively state of the art. Each was playing, on a loop, a demo designed to showcase its quality and cast a spell. I was drawn to a massive Samsung QLED TV displaying unnervingly vibrant images of sizzling butter, exploding flowers, yellow snakes, and various colors of rippling fabric. Another was airing a soccer game, and, despite being in a scentless commercial non-place of a big-box store, I felt as if I were on the pitch with the sweaty players. It all looked quite amazing, a reminder of how high-definition digital technology has upped our tolerance for the hyper real onscreen to the point where sometimes it can feel more real than, well, reality. As I wandered, however, I noticed another, smaller TV off to the side, showing a couple of film trailers—Star Wars: The Force Awakens and Mad Max: Fury Road—which, by comparison, looked curiously cheap and lifeless. If I had to watch all of these clips on the same TV—the exploding flowers and sizzling steaks and stretching fabrics and soccer players and then the film trailers—I might have come to the conclusion that movies today, by and large, look like crap. This is because TVs now deliver images faster than movies do, and TV manufacturers have tried to make up for that discrepancy by souping up films through a misbegotten digital process called motion smoothing.
Denne historien er fra July 22 - August 4, 2019-utgaven av New York magazine.
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Denne historien er fra July 22 - August 4, 2019-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten