Jamie Tan examines two new timepieces from Audemars Piguet and how they point to the Royal Oak’s strength of design
Audemars Piguet’s main highlight in the first half of 2019 has undoubtedly been its new Code 11.59 collection. The line’s design codes, technical minutiae and new movements all pushed the envelope and redefined what connoisseurs can – and should – expect of something as innocuous and ubiquitous as a round watch.
The Royal Oak hasn’t been forgotten though. Long the stalwart in Audemars Piguet’s line-up, the collection was bolstered by new models and line extensions that were also released at sihh. Among these novelties were two standouts: the 37mm-wide Royal Oak Frosted Gold Double Balance Wheel Openworked featuring sapphires of various hues, and the diamond-set, 41mm-wide Royal Oak Double Balance Wheel Openworked. The two timepieces aren’t the latest revelation in watchmaking by any stretch of the imagination. Put into context, however, they offer an interesting look into the enduring popularity of the Royal Oak, and Audemars Piguet’s mastery in both the design and technical aspects of watchmaking.
STRENGTH OF DESIGN
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