Aesthetics Of Beauty
Smart Photography|November 2018

For the benefit of our readers, please tell us something about yourself and the works of your group, ‘Associated Studio’.

Rohinton Mehta
Aesthetics Of Beauty
I am an Italian luxury wedding photographer but it would be better to call me a storyteller. I was born in Florence (Tuscany, Italy) to a family of photographers. I learned by experience, working with my uncle and father, how to narrate real feelings through images.

The strong photographer origin of my family (since 1932), made me ask myself important questions during my adult age, questioning the gap between working as a photographer and being a photographer, challenging myself and questioning my abilities every time. Today, thanks to this attitude, I understand the reality of things and am aware of being completely seduced by my job, namely my greatest passion: photography.

My endless research for the Aesthetics of Beauty allowed me to fine-tune a well-defined, yet constantly evolving style, based on elegance of shape and light, an interaction distinguishing all my shots.

David’s Tuscan origins influenced his education rooted in the study of linear perspective of Renaissance. His artistic researches have always been based on the knowledge of great masters as a starting point, which he transforms into a picture that engraves a fragment of history. He has travelled a lot, shooting all over Europe, New York and Las Vegas in the United States, in Africa, in Sharm el Sheikh and in Lebanon.

Being able to travel and shoot different cultures makes him – as he loves to define himself – a privileged observer; an aesthete able to step into the lives of his newly-weds for one day and add his signature to the story of an unknown person.

Denne historien er fra November 2018-utgaven av Smart Photography.

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Denne historien er fra November 2018-utgaven av Smart Photography.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

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