Revenge Shopping And Navigating A Third Culture Identity

Revenge shopping and navigating a third culture identity inform Amir Fallah’s first show in Hong Kong

- Aaina Bhargava

As for many of us, the highlights of lock-down for artist Amir Fallah were mealtimes and receiving online shopping packages—the latter event so much so, it sparked the idea behind his first exhibition in Hong Kong, Joy as an Act of Resistance, at the newly opened Denny Dimin Gallery in Wong Chuk Hang. Recently, he says, he “came across an old image of a smiling woman with shopping bags; it reminded me of Amazon boxes that show up at your house or when you get food deliveries. These are moments of temporary joy you find in absolute misery”.

Between the pandemic, civil unrest, intense elections around the world and rampant wildfires, there has certainly been a lot to be miserable about in recent years. For Fallah, finding small moments of joy was “a way to fight this non‑stop wave of bad news, bad feelings and dread”. Perhaps choosing to feel joy as an act of resistance is just the antidote we need.

It was after the conception of the show that Fallah encountered revenge shopping—a phenomenon, revived by the pandemic, of splurging on goods to make up for the lack of travel and recreation. Fallah captures this idea, and the feeling of contentment a new purchase brings, in the exhibition’s namesake painting, featuring a luxuriously dressed woman overloaded with shopping bags and gift boxes as the central figure. Unlike his previous works, the character’s face is visible here.