The MXR brand is no stranger to these pages, and the three units under review here offer some seriously funky tones with which to create sonic nirvana during your performance. Both the Dyna Comp compressor and the Vintage Octave possess a very small footprint, so will take up very little real estate on your pedalboard. The Sub Octave Fuzz is a wider unit, but its control set offers a lot more options and flexibility.
All three pedals follow the standard metal chassis design used across the MXR range and should be capable of taking a pounding during live use. All three operate effectively with a nine-volt DC supply, while the fuzz unit can also be operated with a battery. The controls on all three pedals are securely attached and operate smoothly and efficiently across the whole turn.
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Denne historien er fra July 2021-utgaven av Bass Player.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Freekbass
The funk master talks us through five career high points.
ASHDOWN RM-800-EVO ll
What a lightweight! Kev Sanders tests the new head from Ashdown
DUVOISIN Standard 5
Mike Brooks gives this Swiss-style five a road test…
I WAS THERE!
A historic moment in bass world – recalled by those who were there to see it
BAREFACED - One10T Cabinet
A new Barefaced cab? Kev Sanders feels the quality
KRIST NOVOSELIC
It’s 30 years since the release of Nirvana’s era-defining album, Nevermind, and high time that we revisited this 2011 chat with the great bassist turned political activist, Krist Novoselic, a musician who witnessed a truly chaotic period in music history
BASS PLAYER AWARDS 2021
After a year off thanks to the pesky virus, BP’s annual Lifetime Achievement Awards return—and this time we add a new category. Raise your glass to this year’s winners, Marcus Miller, Gail Ann Dorsey, John Taylor and Charles Berthoud.
RUSH TO READ
Rush’s Geddy Lee will release an “epic” memoir in 2022
STAYING POWER
Tal Wilkenfeld’s recent album Love Remains features a five-string in tenor tuning with a capo. Ellen O’Reilly finds out why…
TONEWOODS EXPLAINED
Do woods really determine tones?