Fatboy Slim You've Come A Long Way, Baby

Skint, 1998

- Ray Spencer

By his second album, the man is now known around the world as Fatboy Slim had hit upon the formula for making hit records – just add equal parts breakbeats, some acid house, and a big repetitive pop arrangement and hook.

Then let it bubble, and stand well back. He’d developed this magical musical alchemy through what he refers to as ‘The Holy Trinity’ of mixes – Brimful of Asha, Renegade Master and The Rockafeller Skank. These three tracks were certified global chart smashes, and went on to become the blueprint for everything that followed.

“After those I was absolutely buzzing with ideas,” says Norm. “And I’d hit the formula, of what was, by then, called ‘big beat’. A lot of the underground club stuff was great, but they were missing that verse/chorus, verse/chorus, middle eight. I’d been in enough pop bands over the years to know that’s how it worked.

“I wanted to take this music out of the nightclubs and onto the radio. So I took all of those dancefloor ingredients, but arranged them in a manner that the human brain would associate with pop music. That was one of the many things I learned by the time I got to this album.”

You’ve Come a Long Way, Baby was 11 tracks of pure jukebox gold. Built for dancefloors, house parties, student dorms, car rides, keggers, and ragers, on both sides of the Atlantic. It would be one of the albums of the ’90s, and the soundtrack to a generation.

“It was also the soundtrack to my life, so far,” says Norm. “The idea of what big beat was for me, at that point, was the sum collection of everything that’s gone before into your head, with no kinda agenda.