When did you start making music, and how did you first get started?
“I started playing cello when I was seven and writing music when I was 11. Classical music was definitely an influence growing up; both of my parents were members of the Philharmonic in Rosario, the city in Argentina where I was born. However, I remember being really captivated by electronic sounds at that time. When I was seven my dad used to watch Cosmos by Carl Sagan. I remember running around the house picking up all those amazing tracks by Vangelis. For my 8th birthday my dad gifted me a cassette tape by Vangelis, which opened up a fascinating palette of new electronic sounds. I then got Reason and started experimenting.”
Tell us about your studio...
Denne historien er fra October 2021-utgaven av Future Music.
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Denne historien er fra October 2021-utgaven av Future Music.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates