Back in July 2017, I reviewed Novation’s Peak, their flagship hybrid polysynth featuring eight voices and analogue filters. Fast forward to September 2019 and Novation have launched their newest flagship keyboard, based on two Peaks with various other juicy improvements. Once again designed in collaboration with Chris Hugget (Chris designed the legendary OSCar), Summit (Twin Peaks would have been too obvious perhaps!?) feels just like Peak in as much as it’s a premium product with super-tight rubberised knobs, good quality faders, nice, satisfyingly clicky buttons and a clear OLED screen with adjustable brightness.
This time, however, the twin expanded Peak engines are packaged in a very high-quality metal chassis, which stands firmly on a blue rubber surround/pad on its underside. Unlike Peak, Summit has a proper IEC power connector inlet and built-in power supply, so the wall wart is gone, making Summit feel even more ‘pro’. With the new expansive front panel, the plethora of controls have been spread out nicely, though personally I would’ve placed the control section and screen centrally. However, like the Peak, the panel is very intuitive with lots of hands-on control and many of the Peak’s hidden menu items now have dedicated panel controls on the Summit, with all the main controls at your fingertips. Again, deeper parameter editing is done via the menu system but you’ll need to do this less than on the Peak due to the extra front panel controls. The screen is also pleasingly easy to read and navigate.
Denne historien er fra December 2019-utgaven av Future Music.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra December 2019-utgaven av Future Music.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates