You know a design is special when it attains “classic” status not just in its most iconic iteration but in several revamped versions. Such is the Fender Bassman. First introduced in 1952 as a 1x15 combo, the tweed Bassman hit its stride in the late ’50s as the narrow-panel 4x10 5F6A combo, which achieved major crossover success with six-stringers and became known as one of the greatest guitar amps of all time. By 1961, however, the Bassman had evolved beyond all recognition into an amplifier that was very different both inside and out. It was bigger, bolder and more accurately bass-intended. And it proved yet again to be another classic design for electric guitar.
At the turn of that decade, Fender’s tweed combos evolved into two new lineups, both very different from anything that had come before and boldly signaling the way forward for modern guitar-amp production. Aside from the top-mounted Champ, all models had forward-facing control panels enameled with a dark-brown background. The combos were covered in light-brown Tolex, at the time a new, durable vinyl product (the Vibrasonic and Concert in this range actually debuted in 1959), while the head-and-cab models received flashier blonde Tolex cosmetics. The latter comprised what Fender called its Professional Series, a range of “piggyback” sets that helped establish the standard for bigger amps intended for larger venues. It included the powerful Showman, Dual Showman, Bandmaster, Tremolux and Bassman models.
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Denne historien er fra July 2021-utgaven av Guitar Player.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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PRS
PREVIOUSLY PART OF PRS's Maryland-built guitar line, the SE NF3 was recently reissued in the company's offshore-produced SE series. The SE NF3 is so named for its Narrowfield Deep Dish (a.k.a. DD) \"S\" pickups. These unique PRS-design units have deeper bobbins to accommodate more windings and extra metal pieces between the magnets to yield a more powerful \"single-coil\" tone, while remaining noise-free because they are in fact humbuckers. A control set consisting of master volume, tone and a five-way blade switch allows the usual selections of bridge, middle and neck pickups by themselves and the neck-plus-middle and bridge-plus-middle combinations that allow the SE NF3 to veer into Strat-like territory in switch positions two and four.
EPIPHONE
Inspired by Gibson Custom 1963 Firebird V and 1959 ES-355
Dobro 101
A look at the iconic bluegrass slide box.
CERTIFIED GREATNESS
Fingerstyle master Tommy Emmanuel combines unique musical instincts and breathtaking technique to become an acoustic tour de force.
MASTER OF HIS OWN JOURNEY
For more than 50 years, David Lindley graced albums and concert stages with his singular talent on a vast range of stringed instruments. In this Guitar Player exclusive, his musical friends — including Jackson Browne, Ry Cooder and Bonnie Raitt - pay tribute to an original.
TRANSCENDENTAL MAN
Luther Dickinson interpreted a priceless work of art in music. In the process, the blues guitarist wrote his own next chapter.
THE BEAT GOES ON
Together with Tony Levin, Adrian Belew and Steve Vai join forces for a Robert Fripp-endorsed revival of King Crimson's groundbreaking 1980s music.
I'M 100 PERCENT HAPPY WITH THE WORK I'VE DONE WITH PINK FLOYD. BUT...'MY FOCUS IS DIFFERENT RIGHT NOW'
Leading a rock group and being a solo artist were \"not what I asked for,\" David Gilmour says. For Luck and Strange, he assembled a team that shared the weight of his creative efforts. The result? \"The best album I've made since The Dark Side of the Moon.\"
DOUG GILLARD IS INDISPENSABLE
His six-string genius has proved vital to the music of Guided by Voices, Nada Surf and other indie-rock favorites. But all he really wants is to make good music.
Sol Salvation
The genius of Sol Hoopii is preserved in 16 timeless cuts on Master of the Hawaiian Guitar.