Welcome to this unabashed celebration of rock guitar. The aim of the lesson is to provide you with some core concepts and techniques which will help you build a really good vocabulary in a whole range of rock guitar styles.
The guitar is one of the key instruments in the rock ensemble; it provides much of the harmonic backing and of course is also used to play riffs, fills and solos. Some rock bands are three-piece outfits where the guitar provides the majority of the melodic and harmonic content. Other line-ups include guitar and keyboards working in tandem. Then there are twin-guitar assaults, either with or without keys. All these band types require subtly diffferent ways of interacting with the other musicians, and we will see many of these approaches in the following 50 licks.
Many of the greatest rock songs are written in guitar-friendly keys like G, A, E and D and this allows the guitarist to utilise various open strings and resonant, first-position chords. When creating riffs, lead lines and guitar solos the Major and Minor Pentatonic scales are a popular starting point, and many of our examples use these as their basis. Both of scales are constructed from five notes, with the intervals as follows:
MANY OF THE GREATEST ROCK SONGS ARE WRITTEN IN GUITAR-FRIENDLY KEYS THAT ALLOW THE GUITARIST TO UTILISE VARIOUS OPEN STRINGS
Major Pentatonic: R-2-3-5-6.
Minor Pentatonic: R-b3-4-5-b7.
The Major and Minor triad arpeggios are also commonly employed. Their intervals are: Major triad arpeggio: R-3-5. Minor triad arpeggio: R-b3-5.
Denne historien er fra December 2020-utgaven av Guitar Techniques.
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Denne historien er fra December 2020-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
PAT METHENY
Nick Mellor offers an insight into the jazz great's 16th-note lines, and his approach to improvising over static Minor and Dominant 7th chords.
MARTIN MILLER
Another fabulous JTC guitarist demonstrates his impressive techniques for us, focusing on an approach called Rythmically Dependent Alternate Picking.
THE KINKS' RAY DAVIES
This month Stuart Ryan takes a virtual trip into to North London to get to grips with the acoustic style of the original Muswell Hillbilly.
STEVE LUKATHER
This month Andy G Jones looks at the fluent soloing style of the LA guitarist who co-founded Toto in 1977 then ruled the 80s session scene.
JEFF HANNEMAN
This month Charlie Griffiths Shows No Mercy as he lays down the gauntlett with five shred licks from Slayer's undisputed master of attitude.
10CC
This month Martin Cooper checks out Eric Stewart and Lol Crème, whose distinctive styles helped give this UK band its unique sound.
T-BONE WALKER
From the heart of Texas to the cool West Coast, join David Gerrish on the journey of this hugely influential electric blues guitar innovator.
FERDINANDO CARULLI Andantino In G (Opus 241)
This month Declan Zapala goes back to basics to explore core classical technique with this emotive miniature by the pioneer of classical guitar playing.
THE CROSSROADS Steely Dan's Mu Chord
This month John Wheatcroft shows us how Donald Fagen and Walter Becker dressed their harmony to the 'nines, as he explores their trademark chord voicings.
GET YOUR MOJO WORKING! 60 Years Of Blues Licks
From the Kings to Jimi and Eric, Blackmore, Stevie Ray, Gary Moore, John Mayer, JoBo and beyond, Jon Bishop introduces six decades of blues guitar innovation.
