The above was the case with Chris Buck, whose soulful bluesy Strat tones ripple tonefully throughout his band Buck & Evans’ debut album, Write A Better Day. The album is causing a stir, with singles receiving A-list play on radio and live dates creating a buzz at venues across Europe. He’s even got his own set of signature Strat pups from Radioshop Pickups and we hear that they’re the company’s top-seller. He’s still in his 20s, and Chris’s reason for starting to play guitar is laced with juvenile cunning.
“I guess I’d have been about 12 or 13 when I started and, hand on heart, it was an excuse to get out of maths lessons in school, because I realized the guitar slots coincided with my maths lessons,” he tells us. “A mate of mine started playing and, suddenly, come 2 pm on a Thursday afternoon, he was buggering off for guitar lessons, so I thought, ‘I’ll have a bit of that action too.’”
And thus, a career in music had, albeit unwittingly, begun. Retrospectively, his choice to pursue guitar was a natural progression, as Chris remembers.
“I’d always been surrounded by guitar music I guess, looking back, whether it was The Beatles or Stones or Dylan…”
After the maths-dodging guitar lessons had begun to bite, a few guitarists first captured Chris’s imagination.
Denne historien er fra April 2020-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra April 2020-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.