It was a bitterly cold Summer’s day, a few short years after the Wright Brothers had taken to the skies with their hair-brained contraption. And lo, Mr Bell’s invention burst into life with news of the outside world. For it was David Katz, a busy music contractor of the era. Sadly, his motive in contacting me implied no offer to my pecuniary advantage. Instead, he suggested that I contacted Richard Niles. “He’s a great arranger. I think you two will get on. He’s waiting for your call.” Which is how I came to visit his charmingly bijou apartment in London’s then affordable Belsize Park. There he sat, a quietly spoken American gent with an obscene beard and a goatee sense of humour. He appeared either to have dropped a value tab of acid or to have unpacked a parcel that had sent him as high as Annapurna. The explanation was the delivery of the Teac/Tascam 414, a quaint four-track recorder/mixer utilising digital audio cassette tape. Well may you smile indulgently while positioned strategically in front of your current Pro Tools mega rig, but this was a game-changing piece of kit. And thus we set to work. At which point I became aware within five minutes that this cove knew both his onions and his ostinatos.
Denne historien er fra October 2021-utgaven av Guitar Techniques.
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Denne historien er fra October 2021-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.