I am quietly confident that the Gibson guitar company would have sold considerably fewer examples of the Lester William Polsfuss Custom model had the gentleman not had the good sense to Americanise his moniker for professional purposes. But back in the Boring Twenties in Waukesha, Wisconsin, the putative inventor, innovator, and genius had come to a conspiratorial arrangement with his teenage chum. He had attached a cord to the bedpost and dangled it from the window every evening. If anything interesting was happening guitar-wise at the solitary local club, his accomplice was instructed to run over to the house and give the Yank a yank. (Sorry. It had to be done.)
And as Mr. Paul later recounted, it came to pass that he was woken one night by this crude method, accompanied by a stage whispered “Pssst! You gotta come! There’s a guy in town playing past the third fret!” “No way! No one does that!” Nevertheless, an incredulous 13-year-old Lester shimmied down the drainpipe, and a few minutes later was watching transfixed as his mentor-to-be and future employer, Joe Wolverton, did imaginable things on a guitar. The rest is a mystery. The stage, radio and recording career, the guitar designs, the overdubbing, tape delay, phasing and multitracking. You couldn’t make it up. But Les Paul did.
Denne historien er fra November 2020-utgaven av Guitar Techniques.
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Denne historien er fra November 2020-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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PAT METHENY
Nick Mellor offers an insight into the jazz great's 16th-note lines, and his approach to improvising over static Minor and Dominant 7th chords.
MARTIN MILLER
Another fabulous JTC guitarist demonstrates his impressive techniques for us, focusing on an approach called Rythmically Dependent Alternate Picking.
THE KINKS' RAY DAVIES
This month Stuart Ryan takes a virtual trip into to North London to get to grips with the acoustic style of the original Muswell Hillbilly.
STEVE LUKATHER
This month Andy G Jones looks at the fluent soloing style of the LA guitarist who co-founded Toto in 1977 then ruled the 80s session scene.
JEFF HANNEMAN
This month Charlie Griffiths Shows No Mercy as he lays down the gauntlett with five shred licks from Slayer's undisputed master of attitude.
10CC
This month Martin Cooper checks out Eric Stewart and Lol Crème, whose distinctive styles helped give this UK band its unique sound.
T-BONE WALKER
From the heart of Texas to the cool West Coast, join David Gerrish on the journey of this hugely influential electric blues guitar innovator.
FERDINANDO CARULLI Andantino In G (Opus 241)
This month Declan Zapala goes back to basics to explore core classical technique with this emotive miniature by the pioneer of classical guitar playing.
THE CROSSROADS Steely Dan's Mu Chord
This month John Wheatcroft shows us how Donald Fagen and Walter Becker dressed their harmony to the 'nines, as he explores their trademark chord voicings.
GET YOUR MOJO WORKING! 60 Years Of Blues Licks
From the Kings to Jimi and Eric, Blackmore, Stevie Ray, Gary Moore, John Mayer, JoBo and beyond, Jon Bishop introduces six decades of blues guitar innovation.