THE GEAR
GT: What did you use for the recording of Liquid Quartet Live?
ML: I used a Fender Custom Shop Strat that has two Lollar Imperial humbuckers (standard wind). The main amp was a Dumble Slidewinder, which is similar to a four-input style Bassman amp with two 6L6s. The cabinet is a Kerry Wright 4x12 open back with vintage Celestion G12-65s. The second amp (used for the wet pedal board) was a Fender Hot Rod Deville ML 212.
GT: What dictates you using single coils or humbuckers?
ML: Several years ago, when I started to tour in Europe a lot, I started using a Strat with humbuckers because I couldn’t deal with the single-coil hum at the clubs I was playing. I use a lot of gain from my overdrive pedals and at times the hum was way too overbearing. I love both humbuckers and single-coils though, it just really depends on the venue and my mood. Single-coils sound and feel more immediate to me when I play with my fingers instead of a pick. It feels like there’s nothing between my fingers and the speaker if you know what I mean; the sound coming out of the amp is instant. Because of some of the frequency cancellation that naturally occurs with a humbucking pickup, humbuckers have a ‘lazier’ feel to me, and sound more ‘cloudy’ on the top end; they have a looser feel than a single-coil, but obviously humbuckers have a round, crunchy sounding midrange. Both pickups serve their purpose very well.
GT: Do you prefer overdrive pedals to amp overdrive?
Denne historien er fra March 2021-utgaven av Guitar Techniques.
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Denne historien er fra March 2021-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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PAT METHENY
Nick Mellor offers an insight into the jazz great's 16th-note lines, and his approach to improvising over static Minor and Dominant 7th chords.
MARTIN MILLER
Another fabulous JTC guitarist demonstrates his impressive techniques for us, focusing on an approach called Rythmically Dependent Alternate Picking.
THE KINKS' RAY DAVIES
This month Stuart Ryan takes a virtual trip into to North London to get to grips with the acoustic style of the original Muswell Hillbilly.
STEVE LUKATHER
This month Andy G Jones looks at the fluent soloing style of the LA guitarist who co-founded Toto in 1977 then ruled the 80s session scene.
JEFF HANNEMAN
This month Charlie Griffiths Shows No Mercy as he lays down the gauntlett with five shred licks from Slayer's undisputed master of attitude.
10CC
This month Martin Cooper checks out Eric Stewart and Lol Crème, whose distinctive styles helped give this UK band its unique sound.
T-BONE WALKER
From the heart of Texas to the cool West Coast, join David Gerrish on the journey of this hugely influential electric blues guitar innovator.
FERDINANDO CARULLI Andantino In G (Opus 241)
This month Declan Zapala goes back to basics to explore core classical technique with this emotive miniature by the pioneer of classical guitar playing.
THE CROSSROADS Steely Dan's Mu Chord
This month John Wheatcroft shows us how Donald Fagen and Walter Becker dressed their harmony to the 'nines, as he explores their trademark chord voicings.
GET YOUR MOJO WORKING! 60 Years Of Blues Licks
From the Kings to Jimi and Eric, Blackmore, Stevie Ray, Gary Moore, John Mayer, JoBo and beyond, Jon Bishop introduces six decades of blues guitar innovation.
