ONE OF THE greatest features provided by many digital modeling amplifiers is a seemingly endless variety of tones and effects. However, all of that versatility can be a serious distraction for guitarists who prefer to plug in and play instead of spending minutes or hours searching for the ideal tone. Does one really need a dozen variations of Marshall amps when a single ripping distortion tone will do the job perfectly well?
In stark contrast to the “everything under the sun” approach of most modeling amps, the Nextone series amps from Boss feature a straightforward, uncomplicated design that’s similar to a classic two-channel tube amp combo. While the 27 knobs and various switches on the Nextone Special’s control panel may initially look intimidating, the layout is self-explanatory and will satisfy players who prefer instant gratification and ease of use over digging through complicated windows on an LCD just to adjust presence. Better yet, the Boss Nextone Special’s Tube Logic technology delivers familiar tube response and feel, and its design makes it a lot easier to get the sounds you want in the studio and on stage.
FEATURES
The Boss Nextone Special is a two-channel, 80-watt combo with a single 12-inch Waza Craft B12W speaker that provides vintage “blue bell” tone. Boss’s Tube Logic technology provides authentic tube amp tones, in this case two separately voiced, independent Clean and Lead channels. Most of the amp’s tones and functions can be modified via the front panel, but Nextone Editor software is available for users who want to dive deeper or access a handful of features (like a tremolo effect) that aren’t accessible via the amp’s controls.
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Denne historien er fra November 2021-utgaven av Guitar World.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
