2020 WAS POISED TO BE A BANNER YEAR FOR LAMB OF GOD. THE REIGNING THRASH ME TALKINGS— particularly true now that Slayer are no longer active — had put the finishing touches on their self-titled eighth studio album, the first to feature Art Cruz in place of longtime drummer Chris Adler, and had a rigorous touring schedule, including a still-scheduled mammoth trek alongside Megadeth, Trivium and In Flames. Guitarist Mark Morton had been busy for the past year or so with a pair of solo releases — last year’s Anesthetic full-length and a five-song, mostly acoustic EP titled Ether, released this past January — and tour dates in support of his solo endeavors. Then March came along, and the world came to a screeching halt — and that halt included the postponement of Lamb of God’s UK/European spring tour.
It also led to the postponement of the new album’s release date. Originally slated to drop in early May, Lamb of God is now set for a June 19 release.
“We appreciate your patience during these times,” the band said in an April 20 statement. “A global pandemic is not something people in the music industry usually take into account when scheduling album releases, but as you know, this thing has affected everyone across the board, and we are no exception... Wash your damn hands, let us know what you think of the new tunes, and see you on the road sometime!”
Luckily, the band has already released a handful of tunes from the new disc, and they hint at an album the Richmond, Virginia, five-piece can certainly be proud of. Lamb of God is a 10-song masterwork of infinitely precise and intricate riffage, crushing breakdowns, and production work that rivals any of the top albums in recent memory.
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Denne historien er fra July 2020-utgaven av Guitar World.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
