VINCE GILL HAS BEEN PLAYING the guitar for 55 of his 62 years. His virtuosic and sweetly expressive solos — whether flat picked or played fingerstyle — have graced more than 20 genre-spanning studio albums that have earned him 21 Grammy awards and just about every honor the Country Music Association has come up with. Asked if he feels like he has anything more to prove, the easy-going guitarist laughs gently and says, “Probably not. I’ve had a good run.” He pauses a little before expanding on his answer: “I mean, there’s still a lot that I can’t do on the guitar — we could fill a book with it. But a while ago I reached the point where I said, ‘I’m just going to play what’s necessary.’ That comes with age and experience. You don’t think like that when you’re young, but it’s a peaceful place to be. I’m content to say what I want on the guitar, and I can leave it at that.”
At an age where most guitarists might give thought to easing their workloads, Gill has been pulling triple duty. In addition to performing solo shows, he’s maintained a steady recording and touring schedule with his country swing ensemble the Time Jumpers, and since 2017 he’s been trekking the globe with the Eagles in an incarnation that includes band members Don Henley, Timothy B. Schmit, and Joe Walsh, along with guitarist Steuart Smith and the late Glenn Frey’s son, Deacon. “I would be a pretty fortunate man just to be doing my own thing,” Gill says, “but to play with the Time Jumpers and now the Eagles, it’s like, ‘How more blessed can I be?’ But I just try to do the best I can and honor the music I’m playing. I can’t do more than that.”
Denne historien er fra December 2019-utgaven av Guitar World.
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Denne historien er fra December 2019-utgaven av Guitar World.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
